Paola Turani wore a gold and black beaded mermaid gown with a fitted corset top at the Tony Ward Haute Couture Spring/Summer 2026 show in Paris on January 26, 2026.
At the Tony Ward Haute Couture Spring/Summer 2026 show in Paris, on January 26, 2026 , Paola Turani stepped into the light wearing a dress that shimmered like dusk turning to night. Her floor‑length gown combined a gold‑beaded sheer base with a gradient that deepened into black sequins trailing into a train . The cut followed a mermaid silhouette , sculpted sharply through the waist and hips, before flaring slightly at the hem.
The design featured a structured corset top , inlaid with black embellishment that framed the bust and mirrored the darker tones below. The intricate beadwork—dense at the top, scattering delicately along the skirt—caught every flash of camera light, moving between metallic warmth and inky shadow.
Dixie D’Amelio steps into Valentino’s 2026 campaign, shifting between polished interiors and raw street textures.
In Valentino’s 2026 campaign, Dixie D’Amelio is caught in two moods. One frame shows her sliding out of a black car, teal satin blouse glinting under low light, gold accents at the shoulders. White lace shorts, sheer floral tights, and a small handbag patterned with blooms. Black heels with oversized bows finish the look. It feels half-candid, half-staged—like she’s stepping into a night that’s already moving.
Another shot shifts tone. She’s on the sidewalk, in front of a newsstand. Floral top edged with fur, denim skirt patched with inserts, fur-trimmed shoes. A tapestry bag in hand. The background is ordinary—cars, traffic signs, painted walls—but the outfit pushes against it, layering textures that don’t quite belong together yet somehow hold.
The campaign doesn’t smooth her into one image. It lets her be both—inside the car, polished and styled, and outside, eclectic and rough-edged. Valentino’s choice here isn’t about glamour. It’s about showing how clothes sit differently depending on where you stand.
Adriana Karembeu wore a sculptural white Stephane Rolland Haute Couture gown featuring fluid draping and a daring slit on the runway in Paris on January 27, 2026.
In Paris on January 27, 2026 , Adriana Karembeu commanded the runway at the Stephane Rolland Haute Couture Spring/Summer 2026 presentation , her look merging architecture and motion into one captivating shape. She wore a white sculptural gown , the fabric arranged in sweeping folds that curved like wind over marble. The dress featured a high neckline and fluid long sleeves that extended outward as she walked, almost as if the garment were caught mid‑movement.
The central detail—a carved opening at the hip, set with shimmering crystal accents —gave the dress dimension and continuity, carrying light across its glossy surface. Beneath the flowing layers, a structured high slit revealed length and stride without disturbing the gown’s serene geometry. The way the satin moved—sometimes floating, sometimes dense—made the look feel alive, oscillating between rigor and improvisation.
Her short blonde hair , styled with slight texture, added to the clean aesthetic, while natural makeup and a hint of luminance around the eyes allowed the outfit’s sculptural form to take focus. The surrounding red carpet and golden theatre light framed her appearance as both theatrical and human—grace caught mid‑gesture.
Paola Turani Wears a Black Turtleneck Ribbed Top, Mini Shorts and a Purple Orange and Blue Geometric Pattern Print Long Trench Coat s Outside the Missoni Show in Milan 09/23/2023
