Paris Berelc wore a ruched red one-shoulder gown at the Kissing Is the Easy Part premiere in Los Angeles on February 5, 2026.
This is how you do red on a red carpet—same color family, but none of the camouflage.
Paris Berelc arrived at the Kissing Is the Easy Part premiere in Los Angeles on February 5, 2026, wearing a ruched, body-hugging red gown that’s all about line and motion. The neckline plays with asymmetry— single-strap over one shoulder , crossing the bust in structured folds that feel more engineered than draped. The fabric’s got stretch, sure, but it doesn’t fall shapeless. It holds her, defines her, and leaves nothing ambiguous.
The entire look feels sleek without being cold. That’s hard to pull off with this much structure. Her hair is long and loose, broken into subtle waves that keep the energy soft. Jewelry? Minimal. Just enough to catch flash, but nothing heavy-handed. Diamond bands on her fingers, a subtle bracelet, and done. The makeup leans glowy—flush-toned lips, strong brow, no unnecessary drama.
What actually makes it work is the tonal interplay between her dress and the red-on-pink swirl of the backdrop. She stands out without fighting it. Confidence without excess.
This isn’t a gown that needs accessories or storyline. It’s the kind that relies on posture and presence. Paris knew that—and showed up polished, exact, and completely unfussy.
Maggie Rogers wore a black Ralph Lauren tuxedo with a deep white satin lapel at the Special Evening event in Milan on February 5, 2026.
Some outfits shout. This one doesn’t. It walks in, stands tall, and lets the seams do the talking.
Maggie Rogers attended A Special Evening at Palazzo Ralph Lauren in Milan, Italy on February 5, 2026, in a brilliantly cut black tuxedo with a wide white satin shawl lapel —a look that balances cool structure with quiet drama. The suit nails it where most fail: fit. Shoulders soft but defined, lapels sharp but not theatrical, the whole thing long-line and intentionally oversized without swallowing her. There’s polish here, but no stiffness.
What catches the eye is that plunge. Underneath, she wears a white satin waistcoat that dips deep—deep enough to register as eveningwear without veering into red carpet thirst trap. It’s unbothered smarts, the kind that says masculine and feminine aren’t opposites, they just hang out.
Hair is worn down in loose, brushed-out waves that move like they weren’t over-styled. Makeup? Minimal. Just a warm flush across the cheeks and barely-there lip. She carries a structured black top-handle bag with gold hardware—functional enough to not be costume, classy enough to finish the look.
Here’s why it works: there’s nothing trend-chasing in this. Just a sharp, minimal, genderless take on front row fashion , made for a fashion house that’s built its identity on timeless tailoring. It feels like her—and that’s always what lands.
The suit doesn’t beg for attention. It earns it, quietly.
Paris Berelc wore a sheer lavender lace gown with satin bow detail to the Kissing Is the Easy Part premiere in Los Angeles February 2026.
There’s romantic — and then there’s this. A little haunted doll, a little 2000s prom flashback, and just the right amount of drama baked in.
Paris Berelc showed up at the Kissing Is the Easy Part premiere in Los Angeles on February 5, 2026, wearing a full-length, soft lavender gown with sheer lace paneling cut into diagonal waves. The whole thing reads delicate but not fragile — like a dream that’s aware of itself. Centered right over the chest is a wide satin bow , tipping the sweet-factor into more grown territory. It’s layered. Not just by fabric, but by tone.
The sheer piecing and satin ribbons make this one of those dresses that looks even better when it moves — the kind that flinches with light instead of sparkle. And here’s the tricky part: this whole look only lands because the rest of the styling steps back. Loose waves, side-parted, and just shiny enough to catch red carpet flash without looking stiff. Makeup is soft but sculpted. And most importantly, nothing’s trying too hard.
Sheer is everywhere right now — and this one taps the trend without copying the lookbook. Thanks to the careful construction and unusual shade, it hits that rare point between ethereal and confident. No over-accessorizing. No cages of tulle. No distraction from the fit.
Some dresses wear you. This one collaborates.
