Paris Berelc wore a sheer blue lace gown with ruched detailing for a February 2026 fashion photoshoot at sunset on a balcony.
Some dresses whisper. This one hums — just loud enough to get your attention, not so loud it begs for it. Paris Berelc showed up in soft romance mode for this February 2026 fashion photoshoot , standing against a dusky sky that managed to match her mood.
She’s wearing a sheer blue gown , built from what looks like layers of tulle and lace — one part lingerie, one part ethereal fantasy. It hugs at the bodice with a knotted bust detail , then opens into strips of translucent fabric and lace panels down the front and sides. There’s no drama weaponized here — but the hint of skin, the way the textures catch the last sunlight, it’s just enough.
Hair’s left quiet, long and loose, leaning into soft waves. Jewelry’s kept minimal — a couple rings, maybe a bracelet, but the photo isn’t about shine. It’s about atmosphere. She’s not over-posing either. There’s a stillness in her stance that does more than any thigh pop or camera smirk could.
If you ask me, this one works because of the restraint. The color says evening, the silhouette hints elegance, but nothing feels overdone. It’s almost under-designed, and that’s the charm. Like showing up to the moment instead of orchestrating one.
Becky G wore a sheer printed crop top, camouflage pants, and textured coat at Shaq’s Fun House event in Daly City on February 6, 2026.
This whole look reads like someone who showed up to have a good time but still wanted to flex a little on the way in. Becky G rolled up to Shaq’s Fun House in Daly City on February 6, 2026 , looking equal parts unbothered and calculated — in the best way.
She rocked a long-sleeve sheer crop top , totally see-through with branded navy and yellow graphic details layered over a solid bralette. Camo trousers , wide-legged and slouching slightly at the hem, grounded the look in early-2000s chaos — but intentional. The pants weren’t cropped or over-styled, just there. Standing their ground. Doing their camo thing.
Over all of it? A shaggy black faux-fur jacket , off her shoulders, worn more like a shrug than outerwear. Not functional. Just mood. And the pointed black boots peeking out underneath don’t scream for attention — they just sharpen the ends.
Sunglasses indoors always feel risky. But here? They make sense. Paired with hoops and a center-part hairstyle worn loose, this outfit doesn’t care if it’s cohesive — it’s cool. Slightly chaotic, kind of messy, and all the better for it.
I’ll say it flat-out: This is one of those event appearance looks that thrives because of the clash. Not in spite of it.
Camouflage’s been creeping back — not polished, not ironic. Raw and unruly. Becky’s look taps that lane while mixing in sheer elements from the influencer party playbook
She didn’t play safe, and that’s what gets remembered on a carpet like this.
Would you pair camo with faux-fur, or is that one texture too far?
Chase Infiniti wore three striking outfits for Sunday Times Style February 2026, mixing layered black drama, tailored outdoor chic, and ethereal white elegance.
Chase Infiniti fronts The Sunday Times Style February 2026 with three looks that feel like different worlds stitched together.
First: a black off‑the‑shoulder sweater paired with a voluminous ruffled skirt , styled with red tights and pointed shoes . Braided hair, standing between tree trunks. It’s earthy, dramatic, almost bombastic. If you ask me, the tights are the sharpest detail — they cut through the darkness like punctuation.
Second: a long black coat with leather accents layered over a black shirt and skirt with slit . Button details, structured silhouette, braids intact. Shot outdoors against rocks and shrubs, it’s modern but grounded. I’ll say it — the coat does all the work here, turning the whole look into outdoor chic.
Third: a white textured top with deep neckline, paired with a layered tulle skirt and sheer fabric draped from one arm. Braids again, pose graceful, daylight soft. The best part? The sheer fabric — it makes the whole thing feel ethereal without tipping into costume.
Together, the three outfits show range: dark drama, tailored edge, and airy elegance. What I love is that none of them chase perfection. They’re styled, imperfect, and that’s why they stick.
Closing thought: the red tights against the trees are the image that lingers — like fire caught in shadow, blunt and unforgettable.
