Paris Hilton wore a sparkling pink caped gown while Demi Lovato chose a draped grey dress for the ‘Infinite Icon’ L.A. premiere.
It’s a clash of fashion philosophies on one magenta carpet. At the Los Angeles premiere of “Infinite Icon: A Visual Memoir” on January 20, 2026, two distinct eras of celebrity converged in the persons of Paris Hilton and Demi Lovato . Their joint appearance presented a fascinating visual dialogue about fame, branding, and the different armors chosen for a celebrity red carpet . One opted for fantasy, the other for form. Paris Hilton arrived as the living embodiment of the event’s title. Her look was less an outfit and more a mission statement, a full-throated embrace of the hyper-feminine, Y2K-adjacent princess archetype she perfected. She chose an ethereal baby pink gown, dripping with silver crystal embellishments that traced the plunging neckline and formed a dramatic choker. The look was pure fairytale theatre, complete with sheer, floor-length capes billowing from the shoulders and matching opera gloves. This isn’t a dress chosen to follow a trend; it’s a uniform designed to reinforce a multi-decade brand. In a world chasing quiet luxury, Hilton doubles down on loud, unapologetic glamour. It’s predictable, yes, but that’s the point. She is the infinite icon of her own design, and this look is simply another page in her visual memoir.
In stark and deliberate contrast, Demi Lovato stood as a monument to modern severity. They selected a slate-grey, form-fitting gown that felt more like sculpture than fabric. The dress was an exercise in audacious restraint, featuring a sharp, asymmetrical neckline and a cascade of rigid vertical pleats that fell down one side, pooling at their feet. The matte jersey fabric clung and draped, emphasizing form over fluff. With hair slicked back and a simple torque necklace, the focus was entirely on the garment’s architectural lines and Lovato’s own presence–tattoos of “love” and “fear” starkly visible on their collarbones. While Hilton’s look was an outward projection of fantasy, Lovato’s was an inward-facing declaration of strength. It was a grounded, almost brutalist, counterpoint to the airy pink confection beside them. The choice was clear: this is glamour without the glitter.
Which approach to modern glamour resonates more: Hilton’s sparkling fantasy or Lovato’s architectural severity?
Jennette McCurdy wore a silver paillette-covered mini dress layered over a sheer black shirt for her Tonight Show appearance in January 2026.
Backstage at 30 Rock on January 20, 2026, Jennette McCurdy kept it smart but not stuffy — sparkly, but not manic — for her late night guest spot on The Tonight Show Starring Jimmy Fallon . Her look balanced clean tailoring with kitschy late-2000s shimmer: a strapless silver mini drenched in square paillettes layered over a simple sheer black button-up blouse. One of those choices that probably shouldn’t work. But somehow does.
It’s the blouse that makes it. You expect bare arms with a sequin mini like this, maybe a cropped jacket or nothing at all. Instead, there’s corporate formality creeping in — collar crisp, sleeves tailored, the fabric light enough to blur the lines. And underneath it, the metallic dress feels a little like party armor. It doesn’t hang like high-end designer work. It catches the light like an inbox full of unread emails: attention-grabbing, a little noisy, hard to ignore.
She pairs it with black sheer tights and glossy pointed heels — no platform, no edge. The usual jewelry is pared back, and her hair is softly pulled into a half-up twist with curtain bangs. Clean makeup, easy peach tones on the cheek. It all softens what could’ve been too harsh.
Demi Lovato wore a slate gray asymmetric gown with draped detailing at the Infinite Icon premiere in Los Angeles on January 20 2026.
At the Los Angeles premiere of Infinite Icon: A Visual Memoir , Demi Lovato arrived in a sculptural slate-gray gown that balanced softness and precision. The dress pressed close to the body, cut in panels that curved and folded toward one shoulder before slinking down to the floor. One side gathered into a subtle cascade–neither train nor drape, but something in between. The texture caught light like weathered velvet, giving it a slow, lived-in shine rather than the sterile gleam of satin.
Her neckline dipped into a precise V, structured yet minimal, drawing focus upward to her sleek hair pulled back in a sharp part. A simple necklace–barely visible under the lighting–anchored the look. The monochrome palette extended to her makeup: matte tones, dark liner, a calm confidence that dismissed fuss entirely.
