Paris Hilton wore a blush pink chiffon gown with crystal detailing and dramatic sleeves at the Infinite Icon: A Visual Memoir world premiere.
The pink carpet in Los Angeles turned a lighter shade of blush when Paris Hilton appeared — one hand lifted, fabric in motion, signature perfection intact. She wore a pale pink gown that floated more than it fit, streaming long across the floor in folds of chiffon. The dress framed her shoulders gently, split into two flowing cape sleeves that moved like soft air behind her. Across the bodice, silver crystal embroidery traced floral lines, anchoring the sweetness with structure.
The neckline dipped modestly, finished with an ornate jewel-encrusted choker that merged into the gown — part collar, part crown. Hilton’s gloves echoed the shimmer, reaching up the arms with a precise, gloved symmetry. Every element of the look, from blush tone to sparkling detail , mirrors her style playbook: nostalgic glamour updated with a measured precision.
Her hair — blonde, swept into a piled-up bun — balanced the gown’s drama by keeping focus on light and face. Slight tendrils framed her cheeks. Makeup stayed consistent with her trademark glow: bronzed skin, fluttered lashes, a cotton-candy lip tint. Against the mauve carpet, she felt like her own theme reinforcement — soft-focus femininity with old-Hollywood edges.
The effect, when seen in person, isn’t just about opulence; it’s restraint within fantasy. The look could’ve tipped into costume, but it doesn’t — instead, it’s timeless in a way uniquely hers. Fashion Verdict: This was Hilton doing what Hilton does best: crafting an instantly defined silhouette that belongs both to the present and to her myth. A gown less worn, more owned.
Lea Seydoux appears in Harpers Bazaar France January 2026 issue, styled in layered contrasts and textured fashion-forward looks.
The January 2026 issue of Harpers Bazaar France places Lea Seydoux in a set of images that feel more like fragments of mood than polished glamour.
One frame shows her in a long black coat, vertical leather panels breaking the fabric into sharp lines. White pants underneath, black top, necklace catching light. The coat is structured, almost rigid, but the contrast with pale trousers softens it.
Another image shifts tone. Thick ribbed knit, hood pulled wide around her head and shoulders. Stripes in gray and white. Hair tucked, face half-shadowed. It’s dramatic, but also cozy, like armor made of softness.
The styling across these looks is deliberate. Black coat against white pants, knit hood against warm-toned background. Each outfit insists on texture–leather, knit, fabric weight–rather than color alone. It’s not about glamour, it’s about how clothes feel when worn, how they shape posture and presence.
Madelyn Cline and Kiernan Shipka were spotted leaving Paris Hilton’s Infinite Icon afterparty in Los Angeles wearing chic fur outerwear looks.
Outside the Marmont, it’s late — the kind of light that feels more post-party than glamour-glow. Madelyn Cline follows a step behind Kiernan Shipka , both bundled in plush jackets that seem made for warmth as much as style. Cline wears a tan faux-fur coat , the texture soft and muted under the flash. She pairs it with black jeans and pointed ankle boots , a quiet mix of laid-back and lifted — L.A. nonchalance done right. Her hair’s tucked simply behind her ears, minimal makeup, expression relaxed.
Shipka leads in darker tones — her black coat rich and heavy-looking, layered clean over a burgundy top and cropped black trousers . A pop of whimsy comes from her leopard-print handbag finished with a red tassel charm , the kind of accessory that feels impulsive but intentional. Black pumps finish the look, sharp but effortless. She keeps a phone in hand, mid-conversation or maybe just moving past the static hum of cameras.
The moment doesn’t read as “event pose” so much as “let’s get to the car.” The fur, real or faux, acts less as ornament than armor — soft protection from flashes and January chill. Both looks embody functional chic — fashion turned companion for movement, transition, privacy.
