Paris Jackson wore a black asymmetric cutout mini dress with red-soled platform heels at Spotify’s Best New Artist Party in Los Angeles.
At Spotify’s Best New Artist Party in West Hollywood on January 29, Paris Jackson walked the black carpet in a look that said minimal fabric, maximum attitude. The base? A black cutout mini dress with a sharply asymmetrical shape—long sleeve on one arm, completely bare on the other. Midriff exposed through a diagonal slash that wrapped, almost like the dress itself had been pulled sideways mid-motion.
She paired it with platform sandals —ankle-strapped, velvet-finished with striking red soles peeking out from underneath. One heel planted forward, posing like a clock hand. A small clutch in one hand. Tattoo details visible across her ankle and ribs, offsetting the otherwise sleek simplicity of the silhouette.
Hair: Side-parted, tousled waves, letting the curl fall naturally into the collarbone. Makeup leaned soft except for the eyes—smoky, but not smudged. Jewelry stayed tight: rings stacked, but no heavy metal. The event appearance wasn’t trying to mimic couture. It was sharp and grounded in the idea that eveningwear doesn’t have to cover all the effort.
Jackson’s version of “dressed up” isn’t about more—it’s about precision subtraction.
Jordan Chiles wore a red corseted mini-dress with beaded embroidery, red tights, and matching heels at Spotify’s 2026 Best New Artist Party.
At the 2026 Spotify Best New Artist Party in West Hollywood, Jordan Chiles didn’t dial it down. In a room full of platform boots and see-through synthetics, she went full tonal power play—head to toe in true red . The core piece: a tightly corseted mini-dress , sharply boned with a classic sweetheart neckline. But it wasn’t just structure. Everything below the hip was hand-finished with crystal-like red embellishments , clustered and textural at the hem. No shimmer. All grip.
She anchored the look with opaque red tights , dyed to match so precisely you had to squint to see where dress stopped and legs began. Same goes for the pointed red heels—elegant, single strap, modest heel height. And nothing flashy about the styling otherwise. No necklace. Nails bright white and squared. Tattoos peeking through her shoulder lines added roughness in exactly the right places.
Hair slicked back hard. A near-wet shine. No curl, no gesture—just a clean sweep to let the neckline do its thing. The event appearance felt like a stage outfit that slipped onto a black carpet and still managed to speak louder than most gowns.
Chiles didn’t just coordinate—she hit monochrome so hard it echoed.
Julianne Hough wore a black leather jacket and matching Khaite mini skirt with knee-high boots at Spotify’s Best New Artist Party in LA.
At Spotify’s 2026 Best New Artist Party in West Hollywood on January 29, Julianne Hough showed up in a full-leather moment that didn’t lean flashy—it leaned controlled, styled, and a little fierce. She wore a black leather zip-up jacket , structured at the shoulders, paneled with oversized front pockets, and cinched slightly at the waist—not tight, just enough to shape.
The bottom half? A Khaite mini leather skirt , overlapping tulip-cut hem, same finish and tone as the jacket. The kind of coordination that feels less matchy-matchy and more tactical. Boots hit just below knee-level, also black patent, and kept the entire look vertical—nothing to stop the eye, all the way down to the floor. No competing accessories. Hands clear except for one phone. No visible bag.
Hair slicked back, parted center, blunt bob tucked neatly behind ears. The finish was clinical—but on purpose. The event appearance felt like a callback to early ’00s clubwear mixed with biker iconography. But cleaned up. Polished.
It didn’t need zippers hanging open or studs screaming for attention—it just needed control. That, and a hell of a hemline.
