Paris Jackson wore a black printed kaftan with high slit and thigh-high boots at Universal Music Group’s Grammy after party in Los Angeles on February 1.
At the Universal Music Group Grammy after party on February 1st, 2026 , held at NYA WEST in Los Angeles, Paris Jackson brought a different kind of heat. She arrived in a floor-length black kaftan with a massive hand-painted snake motif curling down the front—red, rust, ochre. No rhinestones. No corsets. Just a slit so high it practically split the dress in two and a pair of thigh-high velvet boots eating up the lower half in texture.
She didn’t overdo the accessories. Just layered necklaces , stacked rings , and a black clutch . The sleeves hung long, the fit was relaxed, maybe even a little too soft. Hair left undone. Expression somewhere between bored and baiting. You couldn’t quite pin down whether the look was strategically mystical or just what she threw on out of instinct.
In a media event landscape squeezed by predictable silhouettes and skin-tight tailoring, this felt… quieter. Scrappier. Like walking into a dream halfway through. The robe-snake combo isn’t trying to charm the room—it’s just there, refusing to blink. It doesn’t ask to be remembered. It just lingers in the brain like smoke that doesn’t clear.
Grace Van Patten wore a belted trench-style coat with fur collar and sheer tights at the Saint Laurent Grammy 2026 party in Los Angeles on February 1.
At the Saint Laurent Grammy after party held on February 1st, 2026 at Bar Marmont in Los Angeles, Grace Van Patten showed up dressed for shadows. Not drama. She wore a structured black trench coat belted at the waist, double-breasted, with a matte-fur collar that curled around her neckline like dusk. No sparkle. No thigh slit. A glint of lace peeking out hinted something less buttoned existed underneath, but she kept it hidden.
The coat hit just below the knee, pairing with black sheer tights and satin-pointed heels in a ghostly cool gray. She carried what appeared to be a leopard print clutch , almost completely tucked behind her side. Hair pin-straight, parted down the middle—unfussy. Face clean, sculpted. The whole thing said: I made an effort, but not for you.
Among backdrops of chrome mesh and micro minis, this look landed different. Quietly armored. Monochrome without being flat. She wasn’t trying to make a viral public appearance moment—she was just standing there, owning presence like a trench owns rain. It’s the fashion equivalent of an unread text: sharp, controlled, and entirely on her terms.
Tallia Storm wore a silver disc mesh mini with platform pumps at Universal Music Group’s Grammy 2026 after party in Los Angeles on February 1.
At the Universal Music Group Grammy after party on February 1st, 2026 , held at NYA WEST in Los Angeles, Tallia Storm didn’t walk in — she shimmered. Head to toe. Her metallic disc dress , made entirely of oversized mirrored paillettes, caught light from every direction. No base layer. Just skin and shine. Like chainmail that partied too hard.
The silhouette was almost nonexistent — no strict cut, no hem unity — just movement. Some panels floated, some stuck against her skin. She finished it off with towering black latex platforms , an oversized chain-link choker , and rough-tossed blonde hair swept to one side like she’d run her fingers through it just once before stepping into the flash.
In a room full of filtered glam and sculpted silhouettes, this felt sharp-edged. Messy-clean. Definitely louder than most celebrity event looks , but not cheap. Not costume. It’s the kind of look that doesn’t ask for relevance — it just flashes until you can’t ignore it any longer.
