Her hair is up, messy, a little undone, like she just ran her hands through it and walked out the door. A long silver necklace with big round pendants hangs down her chest, catching the light. She’s carrying a black bag with a gold “CD” logo–Dior, for those who notice. Shoes are black platform sandals, ankle strap, red sole–Louboutin, probably, but the attitude is what matters.
Makeup is soft, a little smoky around the eyes, lips a muted nude. No earrings, no rings, just the necklace and the bag. The whole look is a little bit rock, a little bit vintage, but mostly just her. For those who follow red carpet fashion , it’s a reminder that sometimes the best style is the one that feels a little unfinished, a little rebellious, and totally lived-in.
She could be heading to a club, a gallery, or just out for a late-night drive. Tonight, she’s here, and the feathered cuffs do all the talking. No need for extra sparkle–just a shrug, a stare, and a dress that doesn’t care.
Her hair is down, parted in the middle, loose waves. Makeup is simple–bold brows, a little blush, lips a natural pink. No necklace, no earrings, just the dress and a bit of confidence. Shoes are black platform Mary Janes, high and chunky, straps crisscrossing at the ankle. A little bit retro, a little bit punk, but mostly just practical for a long night.
It’s a look that doesn’t try to shout. No wild colors, no big statement, just a woman in a black dress, letting the details do the work. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one good dress, one pair of shoes, and a little bit of attitude.
She could be anywhere–a dinner, a gallery, or just out for a walk. Tonight, she’s here, and the lace corset does all the talking. No need for extra sparkle, just a quiet kind of cool.
Tessa Thompson wore a black top with a bright yellow draped skirt and white pumps at the 2026 BAFTA Tea Party in Los Angeles.
Tessa Thompson at the 2026 BAFTA Tea Party in Los Angeles, January 10. She stands with one hand in her pocket, the other holding a clutch, looking like she’s got somewhere better to be. The look is sharp– black long-sleeve top, bright yellow draped skirt with a front slit, and black sheer tights. The skirt is the kind of yellow that doesn’t care if it’s too much. It’s bold, almost acidic, and the draping gives it a bit of movement, a bit of attitude.
Her shoes– white, pointed, the Jude Fame Pump in White Brushed Leather –cut through the color, not matching, not trying to. Around her neck, a black beaded necklace– Completedworks the Depths of Time Necklace –sits close, not flashy, just a little odd. Hair is down, loose waves, parted in the middle. Makeup is warm, lips a soft brown, brows strong. No earrings, no rings, just the necklace and a gold clutch.
It’s a look that feels modern, a little off-balance, but in a good way. For those who follow red carpet fashion , it’s a reminder that sometimes the best style is the one that doesn’t try to blend in–one color, one shape, and a bit of nerve.
She could be heading to a gallery, a dinner, or just out for a walk. Tonight, she’s here, and the yellow skirt does all the talking. No need for extra sparkle, just a flash of color and a steady gaze.
