Paris Jackson wore a ruched red off-shoulder sheath gown at the 2026 Jam for Janie GRAMMY Viewing Party in Los Angeles.
At the 7th Annual Jam for Janie Grammy Awards Viewing Party at the Hollywood Palladium in Los Angeles, Paris Jackson steps onto the red carpet in a look that feels both fragile and steady. She wears a long, fitted red gown with a soft off the shoulder neckline that sits straight across the collarbones. The fabric is semi-sheer and clingy, ruched lightly around the waist and hips so it follows the body rather than just hanging there. The sleeves run all the way to her wrists, slim and close, and the skirt falls to the floor with a gentle flare at the hem. On her feet, metallic open-toe sandals with thin straps show off tattooed toes, adding a bit of light at the bottom of the column. She carries a pale beige clutch , plain and smooth, tucked under one hand.
Her hair is worn long and wavy, brushed over one shoulder in a loose, almost beachy way that contrasts with the more careful lines of the dress. Makeup leans warm and smoky: defined eyes, strong brows, a muted brick lip that mirrors the color of the dress without matching it exactly. Big, dangling earrings frame her face and move just enough to catch the light. A stack of rings on both hands gives the look a slightly witchy, lived-in feel—this is not a polished pageant queen, more a musician who happens to be at a charity event appearance . The tattoos on her feet and shoulders peek through where the dress allows, so her own ink becomes part of the styling.
As a celebrity event look , this is interesting because it sits somewhere between classic charity-gala dressing and the looser habits of festival style. The silhouette is simple, but the sheerness and ruched details keep it from feeling generic. In a world of huge ball skirts and overbuilt corsets at every public appearance , Jackson’s dress reads almost like a long T-shirt that grew up—body-skimming, unfussy, yet clearly chosen for a media event with cameras. It quietly suggests that modern front row fashion at charity-driven nights can rely less on volume and more on mood, letting tattoos, jewelry, and attitude carry the individuality.
Chelsea Sik wore a ruby mini dress with flared sheer sleeves at the 68th GRAMMY Awards in Los Angeles in February 2026.
At the 68th GRAMMY Awards on February 1, 2026, held at the Crypto.com Arena in Los Angeles, Chelsea Sik stepped onto the red carpet in a raspberry-hued ensemble that married innocence with sass. The mini dress , built from organza-like fabric, featured a fitted bodice with a defined bustier structure and a high sheer neckline fastened with a modest bow tie . Its sleeves— wide, billowing, and semi-transparent —tapered dramatically into full flare cuffs. What grounded all this whimsy were candy-apple red patent heels with a square toe—a deliberately offbeat pick. Her hair? Loose, center-parted, warm honey chestnut. Makeup stayed cozy: flushed cheeks, rose lips, lash-heavy gaze—soft rather than sultry.
This type of celebrity look , nestled right between coquette-core and cosplay-chic, plays well in this current moment that adores performative innocence. Celebrity style lately loves a good wink—something that echoes a doll’s wardrobe and still manages to radiate adult irony. This isn’t bravery in fashion terms, but it is precise: a calculated play on youth symbols for adult consumption. It speaks fluently to digital-age femininity—part TikTok cosplay, part Valentino-after-therapy. And Chelsea, in this case, doesn’t overdo it. The look has control.
The proportions of the garment deserve some praise. The high waistline and abbreviated hem smartly extend the silhouette— legs appear longer, torso compacted for charm. The couture dress is styled minimally, allowing the sleeves and neckline to contribute the drama, avoiding the trap of over-accessorizing a loud piece. If there’s a missed opportunity, it’s below the ankle—the shoes, while matching in tone, feel visually compact, even cartoony, against the buoyancy of the dress.
It’s a reminder that fashion’s not just about volume or color—it’s about rhythm. And this outfit keeps tempo with care.
Carmen Electra wore a strapless black feather-trimmed dress at the 2026 Jam for Janie GRAMMY Awards Viewing Party in Los Angeles.
At the 7th Annual Jam for Janie GRAMMY Awards Viewing Party held at the Hollywood Palladium on February 1, 2026, Carmen Electra arrived in a look that feels like a callback and a dare simultaneously. The body-hugging black velvet gown —strapless, corseted, and etched with chevron-like paneling—clung to memory more than trend. With its feathered hemline brushing the red carpet like smoke, the dress landed somewhere between late-night Vegas and old MTV glam.
The hair was camera-ready, too—parted down the middle, bleached honey-blonde, and curled into loose lengths that looked sprayed to almost hover near her biceps. The clutch, small and rectangular, with a mirrored face and red outsole edge, read like a wink to Louboutin—even if the design itself kept quiet.
This celebrity event look won’t chase minimalism or cool-girl restraint. It’s legacy-era seduction styling dialed to eleven, and it knows it. Electra isn’t playing coy for the press. She’s meeting the red carpet in the same way she did two decades ago—head-on, and turned slightly for that angle that still says: I know how to stand here.
But there’s a sharper layer beneath the glam coating. In a moment where many celebrities are clinging to the “quiet luxury” playbook—muted silks, barely-there foundation tones—Carmen chose full volume. This wasn’t just a look; it was a clear refusal to surrender to understatement.
