Never one for excessive fanfare, Park Han-byeol proves the power of clean lines and simple silhouettes (a sharp contrast to some of her more elaborate red-carpet looks) with a laid-back, yet undeniably chic, coastal moment.
Stepping into the golden hour with an effortless grace, Park Han-byeol offers a masterclass in minimalist resort wear. The focal point is a black bikini , featuring a classic triangle top with thin spaghetti straps and a ribbed texture that adds subtle dimension without disrupting the clean silhouette. The top’s simple, unpadded design feels both comfortable and quietly sophisticated, while the matching bottoms sit low on her hips, continuing the streamlined aesthetic. This is a look that relies on form and fit, not loud prints or complex cuts, speaking to a modern and confident approach to vacation dressing. It’s a style we often see among her peers, a perfect example of modern celebrity fashion .
Monica Barbaro wore a custom Dior gown with Chopard earrings at the “After The Hunt” Venice Film Festival premiere on August 29, 2025—yet the fabric’s finish left fashion insiders divided.
When Monica Barbaro stepped onto the Venice Film Festival red carpet on August 29, 2025 , there was a collective intake of breath. Not because of a shocking silhouette or a daring cut, but because her custom Dior gown —paired with Chopard earrings —carried that delicate balance of elegance and restraint we’ve come to expect from her. Yet, beneath the flashbulbs, an uncomfortable truth emerged: fabric can betray even the most meticulously constructed couture.
Outfit Focus
Her accessories were minimal but effective: Chopard drop earrings catching just enough sparkle to frame her face, and a single statement ring that gave subtle lift to the ensemble. Makeup was clean and dewy—think satin skin with a muted rose lip—while her hair, parted at the center and tucked behind the ears, allowed the gown’s collar to dominate.
Styling Cohesion & Critical Eye
Here’s the dilemma. Barbaro is a Dior ambassador, and with Jonathan Anderson’s debut womenswear collection for the house yet to arrive, these gowns serve as placeholders for a new vision. That means pleats, pleats, and more pleats. But pleats are merciless under camera flashes, as we saw just one evening prior with Alba Rohrwacher’s Dior Haute Couture moment. In Barbaro’s case, the harsh light of Venice flattened the sophistication of the textile. The gown, meant to exude modernist fluidity, appeared unnecessarily heavy—working against her natural grace.
It’s not a question of beauty—Monica herself looked radiant. It’s a question of execution. “Great ideas can falter when textiles aren’t tested under flash,” one stylist whispered near the carpet. And she’s right: fabrics matter as much as form, particularly on one of cinema’s most scrutinized stages.
Cultural & Fashion Context
Dior’s reliance on pleats nods back to post-war Parisian experiments with movement and ease, echoing Madame Grès and, in some respects, Issey Miyake. But here’s the twist—what worked in ateliers and museum retrospectives doesn’t always translate to red carpet reality . Hollywood demands precision under klieg lights, and this gown simply didn’t hold up. Barbaro, usually magnetic in column gowns that skim the frame, was swimming in fabric that never quite honored her figure.
Still, there’s optimism to be found. These “teaser gowns” may simply be Dior holding space until Anderson’s vision fully lands. And if history has taught us anything—think Raf Simons’ hesitant first outings at Dior before his breakout couture triumph—transitions can be rocky before they become revolutionary.
Final Thoughts
Monica Barbaro’s Venice Film Festival 2025 red carpet appearance was less about a personal misstep and more about a house in limbo. She carried herself with poise, her styling was refined, and the jewelry exquisite. But the gown? A reminder that couture is as fragile as it is powerful. Perhaps this is what makes celebrity fashion so fascinating—perfection isn’t always the story. Sometimes, it’s the misfires that signal what’s next.
And let’s be honest—if anyone can weather an imperfect Dior, it’s Monica. She looked beautiful, even if the fabric didn’t play along.
Monica Barbaro’s Venice Red Carpet Look – Key Takeaways
- Date & Event: August 29, 2025 – “After The Hunt” premiere at the 82nd Venice International Film Festival
- Designer: Custom Dior gown in black pleated fabric
- Accessories: Chopard earrings + diamond statement ring
- Beauty: Minimalist makeup with rose lip, sleek parted hair
- Verdict: Elegant intention, flawed execution—proof that fabric choice is everything on a red carpet
- For more on Monica Barbaro and other unforgettable style moments, explore our red carpet archive.
Kaitlyn Dever’s latest look is a masterclass in classic glamour, a bold (and deeply elegant) nod to old Hollywood that proves a simple silhouette can still command an entire evening.
Amidst the swirling canals and romantic architecture of Venice, the Armani/Archivio Presentation offered a study in timeless Italian style—and Kaitlyn Dever arrived to deliver the thesis. At a time when celebrity looks can feel over-engineered, Dever’s choice was a clean, confident statement. She embraced a minimalist spirit that was anything but simple, showcasing how less truly can be more.
The star of the evening was a fluid, black satin gown that felt like a whisper against the Venetian night. The fabric’s rich sheen catches the light, giving it a luminous quality without being overtly shiny. It’s a dress that moves with a dancer’s grace. The silhouette features a deep V-neckline that plunges to a twisted knot detail at the waist, from which the skirt flows effortlessly to the floor. The thin spaghetti straps and absence of any additional embellishment allow the cut and the fabric to speak for themselves. This isn’t a gown that screams for attention; it’s a look that holds a room with quiet authority.
For a look this refined, the accessories had to be intentional—and they were. Dever paired the gown with a magnificent emerald and diamond necklace that nestled just below her collarbone, its vibrant green color offering a singular pop against the black dress. A matching cocktail ring on her right hand added a final, coordinated sparkle. The red carpet makeup was equally striking: a perfect, matte-red lip that evoked classic sirens of the screen, while her hair was pulled back into a sleek, clean bun. The combination of the bold lip and the understated hair created a balance of strength and sophistication.
Dever’s outfit is a clear homage to the timeless glamour of the 1930s and 1940s, a look that echoes the era’s bias-cut silk gowns and bold, singular jewelry choices. It’s a reference to a time when style was about poise and powerful simplicity. By choosing a gown that feels both vintage and entirely modern, she reminds us that the best fashion moments are cyclical, with true elegance never going out of style. So, is this a beautiful tribute to the past, or just Kaitlyn Dever proving that some looks—and some stars—are truly eternal?
