Parker Posey wore a black strapless floral dress with sheer tights and red heels for New York Magazine’s December 2025 cover.
Parker Posey appeared on the December 2025 cover of New York Magazine’s “The Culturati 50” issue , photographed by Mark Seliger , in a look that fused bohemian eccentricity with cocktail-hour surrealism .
Her outfit featured a black strapless dress adorned with white floral patterns and gold dots , paired with sheer black tights printed with floral motifs and red high-heeled shoes tied with bows. The styling was maximalist but not chaotic — each element felt curated, not crowded.
Posey accessorized with white-framed sunglasses , a gold bracelet , and a necklace , seated in an ornate chair with a glass of white wine in hand. A silver ice bucket and a black handbag with a bamboo-style handle completed the mise-en-scène, turning the cover into a still life of cultural excess.
Lola Tung wore a plaid skirt and sleeveless top with hair rollers for New York Magazine’s December 2025 Culturati 50 editorial.
Lola Tung appeared in New York Magazine’s “The Culturati 50” December 2025 issue , photographed by Mark Seliger , in a look that fused beauty ritual realism with editorial intimacy .
Her outfit featured a sleeveless top paired with a plaid skirt , styled in a candid moment at a vanity counter. Large hair rollers crowned her head, signaling a transitional state — not quite ready, not quite undone. The counter was cluttered with makeup brushes , lipsticks , compacts , and an eyelash curler , creating a mise-en-scène of preparation and personality.
Samara Weaving and Kathryn Newton wore survival-horror looks in “Ready or Not: Here I Come” promo stills for 2026.
Samara Weaving and Kathryn Newton appear in exclusive promotional stills for “Ready or Not: Here I Come,” slated for release in 2026 , styled in a visual language that fuses survival horror with fashion-coded chaos .
Set in what appears to be a laundry facility — blue carts, white linens, industrial machinery — the image evokes confinement and escape. The tension is tactile: blood, bandages, and the weight of fabric. This isn’t just a promo still; it’s a tableau of survival.
“Ready or Not: Here I Come” builds on the cult success of its predecessor, expanding the universe with new characters, higher stakes, and a sharper aesthetic. If this image is any indication, expect a film that blends genre grit with fashion-forward storytelling.
Parker Posey – The First Annual Paw Prints Paw-Liday Screening at IFC Center in NYC 12/19/2017
