Peja Anne wore a strapless nude gown with silver crystal detailing at the Grammy 2026 after party in West Hollywood on February 1.
At the “A Toast To Music” Grammy Awards after party in West Hollywood on February 1st, 2026, Peja Anne stepped onto the red carpet looking like she’d walked straight out of a champagne flute. Head-to-toe sparkle, but never loud. Just that kind of muted shimmer that hits better under camera flash than daylight.
Her dress? Strapless, nude illusion , with a sweeping sheer base covered in arcing silver crystal embroidery . All swirls, curves, and star trails that pulled everything upward toward a sharply detailed bustline. The fit was skin-close. No flare. No weight. Just a vertical movement down to the floor that looked like it might disappear if you blinked too quickly.
Hair styled in soft, brushed-out waves. Makeup leaned warm—glossy berry lips, rosy cheeks, a subtle glow across the cheekbone. No chunky earrings, no clutch, nothing dangling—intentional restraint that let the gown hold center court. She understood the assignment: red carpet , but with precision .
And it worked. The whole thing felt weightless but targeted. Like she hadn’t overthought it. Just a girl in crystals, ready to dance if someone handed her a mic—not a martini.
Liamani Segura wore an embellished mini dress with matching boots on the red carpet at Universal Music Group’s Grammy After Party on February 1, 2026.
At Universal Music Group’s 2026 Grammy after party in West Hollywood, Liamani Segura leaned into full-color confidence—and she didn’t hold back. Her mini dress , done in a saturated pink and navy brocade , was embroidered from top to hem in gemstone appliqués, metallic scrollwork, and intricate baroque failings that would’ve swallowed a quieter look entirely.
But this wasn’t built for “quiet.” The silhouette was simple— boxy shoulders, sculpted waist, sharp hem —letting the texture go wild while the structure held tight. The neckline stayed modest with capped sleeves and no plunge. Her legs? Fully visible and booted , in matching knee-high fabric boots that locked the print in from head to toe like exclamation points on legs.
Hair swept up in a high updo, with a soft wave curled loose around one side. Her makeup stayed within the outfit’s playbook: rich berry lipstick, flushed cheek, pink shimmer on the lid to highlight the gems without competing with them.
It was the kind of look that doesn’t dress for the flash—it builds its own damn lighting. Like she walked out on the red carpet carrying her own chandelier.
Coco Quinn wore a black lace strapless dress with sheer panels and sandal heels to a Grammy after party in West Hollywood on February 1, 2026.
For the “Toast to Music” Grammy after party on February 1st, 2026, Coco Quinn showed up in a blacked-out lace ensemble that looked like it had been pulled straight from a late-’90s club flyer—and we mean that in the best way. No gloves, no cape, no layers fighting for attention. Just sheer floral lace in a slipdress cut, unapologetically body-conscious and borderline bratty.
The dress sits high across the bust, strapless, with a visible corset shape underneath. It lays closer to boudoir than ballroom. The lace itself is full-coverage in theory and completely not in practice—teasing sheerness down the midsection and thighs. Hemline hits mid-shin with a crisply uneven finish. Minimal tailoring. No fussy lining.
Her strappy black stilettos added height but didn’t compete, letting the dress stay the dominant player here. Hair? Down, blonde-highlighted, and ironed flat with enough round at the finish to keep it from going too slick. Glossy lips. Neutral cheeks. Lashes in place. Nothing overdrawn, because the outfit already said enough.
This isn’t a prom-worthy look. It’s club-glam distilled. She showed up in something that wasn’t trying to ask permission—and didn’t wait for anyone to look twice.
