Penelope Cruz wore a black knit Chanel dress with matching pumps and a mini bag at the Chanel Haute Couture show in January 2026.
Penelope Cruz arrived at the Chanel Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, dressed like she never left the front row—because legacy, when worn right, walks itself in. She wore a black knit midi dress with button-down detailing all the way past the hips. The lightly transparent texture gave just enough movement to bounce against the pink set backdrop like shadowplay. Crocheted scallop hem. Just a whisper of green trim around the edges. That’s all it needed.
The accessories are textbook Chanel—if the textbook were annotated by Penélope herself. Black glossy pumps , confirmed from the Chanel Spring 2026 collection, sharp but rounded. A mini box bag with gold chain strap, carried like punctuation. Her sunglasses cut across the softness with noir authority. No oversized jewelry, just a flash of a polished emerald statement ring and what looked like a layered beaded choker—another glint of green.
Kate Hudson wore a pink embroidered top and wide black trousers with a satin clutch to the Armani Prive Haute Couture show in January 2026.
Kate Hudson appeared at the Giorgio Armani Privé Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, in what felt like a direct pull from the house’s most tactile instincts. No gown. No drama-train or hourglass sculpting. She showed up in separates. Unexpectedly—refreshingly.
At the top: a boxy, short-sleeved jacket dripping in pink crystal embroidery , cinched ever so slightly at the waist, with a zipper that met a not-too-deep V neckline. The lower half: crushed black wide-leg trousers , high-shine, with that soft-sheen Armani irregularity. Fabric that wrinkles as a feature, not a flaw.
Quenlin Blackwell wore a sheer blouse, high-waisted red skirt, and crystal Valentino bag to the Haute Couture fashion show January 2026.
Quenlin Blackwell showed up at the Valentino Haute Couture Spring/Summer 2026 presentation in Paris on January 28, 2026, with an outfit that felt freshly ironed from a fashion photoshoot —except she wore it in real time. She paired a sheer, ultra-delicate organza blouse with ballooned sleeves and scalloped detailing that looked lifted from a Victorian tea room with something much bolder below—a crimson midi skirt , pencil-shaped and high-waisted, the kind that does not move unless the woman wearing it insists. It worked. She insisted.
The contrast hit hard: soft and rigid, transparent and opaque, innocent and very calculated. Her accessories? Exacting. A pearled Valentino shoulder bag with gold hardware and the distinctive ‘V’ logo across the flap. Translucent pumps so sharp they almost disappeared, and a red lip that didn’t. Hair waved, parted, Hollywood-perfect. She looked like she walked straight out of a styling deck marked “front row fantasy,” then stood there waiting for the camera to catch up.
