Pia Wurtzbach, with an air of breathtaking grace, unveiled an ethereal feathered gown at the Stephane Rolland Photocall during Paris Fashion Week on July 8, 2025, transforming the white backdrop into a dreamy, sartorial cloud.
The former Miss Universe, known for her poised elegance, presented a stunning, floor-length white gown that was a veritable cascade of delicate feathers and flowing ruffles. The dress featured a sleek, one-shoulder neckline, allowing a single arm to emerge from the feathery expanse. From the shoulder down, the gown erupted in a frothy, almost weightless explosion of white plumes and sheer, ruffled fabric, creating an incredibly soft yet dramatic silhouette. It felt like pure poetry in motion, a cloud of couture, suggesting both fragility and immense presence. The subtle translucency of some of the fabric added an intriguing depth to the voluminous design.
Leila Ben Khalifa, exuding an aura of fierce sophistication, made a striking appearance at the Stephane Rolland Photocall during Paris Fashion Week on July 8, 2025, in an ensemble that blended sharp tailoring with bold sensuality.
The Tunisian-Italian model and television personality presented a commanding figure in a black gown that was anything but conventional. The dress featured dramatically structured shoulders, almost architectural in their severity, which immediately commanded attention. A deep, plunging V-neckline created a powerful, elongated line down the front, while a strategic cut-out at the midriff added a daring, unexpected element, showcasing a sliver of skin. The fabric appeared to be a sleek, matte black, allowing the intricate tailoring and bold cut to speak for themselves. It was a look that felt both powerful and undeniably alluring, a true study in modern power dressing.
Eve Gilles, with an air of minimalist sophistication, debuted a striking ivory ensemble at the Stephane Rolland Photocall during Paris Fashion Week on July 8, 2025, embodying a vision of modern couture.
Gilles, known for her sharp, contemporary aesthetic, presented a pristine ivory mini-dress that masterfully blended sculptural volume with understated elegance. The dress featured a high, architectural neckline, creating a strong, almost protective frame around her face. Its unique silhouette was defined by voluminous, draped sleeves that gave the impression of a cape or a soft cocoon, yet the overall length remained short, showcasing her lean legs. The fabric appeared to be a luxurious, perhaps heavy crepe or wool, which held the dramatic shape beautifully, allowing the garment to become a work of art in motion. It was a study in controlled drama, a quiet revolution in texture and form.
