PinkPantheress arrives in a sheer maroon gown that marries ethereal elegance with a hint of rebellious undertone—a look both delicate and daring, a new vibe for the star.
PinkPantheress is no stranger to making a style statement, but her appearance at Variety’s Power of Young Hollywood event suggests a new chapter. The singer unveiled a look that was both delicate and daring: a semi-sheer maroon gown that flowed with an effortless, almost liquid grace. The dress, a masterclass in subtle sensuality, featured a high cowl neckline that draped beautifully, framing her décolletage. The fabric’s translucent quality offered a peek at a matching maroon bandeau top underneath, a clever styling choice that grounded the look while maintaining its ethereal quality. It was an outfit that whispered, not shouted, a confident step away from the expected.
The look was a perfect symphony of elements. PinkPantheress paired the dress with a black handbag featuring gold hardware, adding a touch of classic polish. Her jewelry was minimal but impactful: a simple bracelet and rings that caught the light with every movement. The synergy between the deep maroon and the black accessories felt intentional, a rich and sophisticated color palette. The choice of footwear—a chunky black platform boot—was a playful, slightly rebellious twist that brought the whole ensemble back down to earth, preventing it from feeling too formal. It was a stylistic wink, a reminder that she’s a pop artist at heart.
Sharon Lawrence attends the HollyShorts Film Festival in a perfectly peach-hued sundress, fusing effortless summer ease with polished, red-carpet sophistication—a delightful, whimsical choice.
Sharon Lawrence arrives at the 21st Annual HollyShorts Film Festival and serves up a fresh, summery look that proves less is often more. Amidst the glitz and glamour, Lawrence opted for a charmingly simple, yet sophisticated, peachy-pink midi dress. The garment, a vision of relaxed elegance, features a deep V-neckline and playful puff sleeves that give it a youthful, romantic feel. A delicate drawstring at the waist cinches the silhouette, creating a beautiful shape that flows into a full, tiered skirt. The dress’s crisp cotton-poplin fabric adds a touch of casual chic, making it feel perfectly suited for a late summer evening in Los Angeles.
The look was a masterclass in tonal styling. Lawrence complemented the dress with a pair of woven, open-toe sandals in a warm, neutral shade—a choice that felt both casual and elevated. She carried a structured handbag in a similar beige tone, a smart choice that added a touch of polish without competing with the vibrant color of her dress.
A whisper-thin feather gown and slicked-back updo gives Symonne Harrison a sophisticated, almost dangerous, edge at the Variety gala—all grown up, but still a little bit rebellious.
Symonne Harrison attends the Variety’s Power of Young Hollywood event and delivers a lesson in understated elegance. The red carpet, often a stage for bold statements and vibrant hues, instead became the backdrop for a study in texture and silhouette. Harrison, ever the style chameleon, arrived in a full-length, form-fitting black gown . The dress itself was a textural marvel, a feathered column that moved with an almost liquid grace as she walked. A black feathery accent at the chest and waist broke up the silhouette, cinching her waist and adding an extra element of visual interest. It was a classic shape, yes, but the feathery texture elevated it from simple to sensational, proving that sometimes, the most powerful statements are found in the details.
PinkPantheress wore an abstract off-the-shoulder gown with draped sleeves and a fluid print at the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards held on February 1, 2026, PinkPantheress showed up in something that didn’t scream, but hummed—a subtle kind of statement. Her gown was off-the-shoulder, constructed from loosely draped fabric panels in soft painterly tones—muted reds, rust, muddy mauves, a bit of washed-out teal. Not pattern in the conventional sense. More like abstract brushwork stretched across silk. The sleeves, if we can even call them that, hung low and ribbon-like, trailing as if mid-unravel. Nothing tight. Nothing sharp. Even the bodice, though fitted, avoided stiffness.
Her hair was knotted up, not overly neat, with fringe skimming just above delicately defined brows. The jewelry was sparse—just a diamond necklace. Enough. She gave the camera a soft look, not blank but unreadable. Less about claiming space, more about allowing herself to be framed, like part of the backdrop, but conscious of it.
In a swirl of sculpted corsets and amplified volume clogging this year’s red carpet , this felt like the opposite instinct. An anti-gown. Still long, still formal—but emotionally slouched. The visual language? Somewhere between fabric-as-canvas and early 2000s Galliano daydreams, minus the drama. Roughly romantic. Not ironic.
It’s clear this wasn’t dropped on her last minute. There’s an idea here. Not design as armor or seduction, but as ease. She looked like someone who had already whispered everything she needed to say—now just letting the dress speak in brushstrokes and folds.
When fashion gives you air instead of architecture, it’s not underwhelming—it’s a choice to float.
