Pressley Hosbach wore a sheer black lace crop top, dark wash jeans, and metallic heels at the Kissing Is the Easy Part LA premiere.
There’s something about this look that says, “I didn’t overthink it—but I knew what I was doing.”
Pressley Hosbach stepped out for the Kissing Is the Easy Part premiere in Los Angeles on February 5, 2026, wearing a sheer black lace crop top , layered over a matching bralette. The top shows skin but doesn’t scream about it. It’s delicate, a little risky, and easy to get wrong—but she balances it with no-nonsense dark denim that sits right on the hips and keeps everything from veering into costume territory.
Then there’s the styling. Pointed metallic heels peek out from under the wide-leg jeans—tiny flash, no fuss. A burgundy leather belt , a throwback touch, matches the understated energy. Her long blonde hair is center-parted and loose, softening the edges. And the red backdrop? That tinsel wall? It makes the whole thing feel even more lived-in and low-key glam.
The best part is that none of it tries too hard. No designer nameplate in your face, no heavy glam squad imprint. It feels young and honest. Just a girl in lace and denim making a statement: casual doesn’t have to mean boring.
Bottom line: this isn’t event-formal or red carpet princess. It’s event-cool. And that’s harder to nail than people think.
Paris Berelc wore a sheer lavender lace gown with satin bow detail to the Kissing Is the Easy Part premiere in Los Angeles February 2026.
There’s romantic — and then there’s this. A little haunted doll, a little 2000s prom flashback, and just the right amount of drama baked in.
Paris Berelc showed up at the Kissing Is the Easy Part premiere in Los Angeles on February 5, 2026, wearing a full-length, soft lavender gown with sheer lace paneling cut into diagonal waves. The whole thing reads delicate but not fragile — like a dream that’s aware of itself. Centered right over the chest is a wide satin bow , tipping the sweet-factor into more grown territory. It’s layered. Not just by fabric, but by tone.
The sheer piecing and satin ribbons make this one of those dresses that looks even better when it moves — the kind that flinches with light instead of sparkle. And here’s the tricky part: this whole look only lands because the rest of the styling steps back. Loose waves, side-parted, and just shiny enough to catch red carpet flash without looking stiff. Makeup is soft but sculpted. And most importantly, nothing’s trying too hard.
Sheer is everywhere right now — and this one taps the trend without copying the lookbook. Thanks to the careful construction and unusual shade, it hits that rare point between ethereal and confident. No over-accessorizing. No cages of tulle. No distraction from the fit.
Some dresses wear you. This one collaborates.
Becky G wore an oversized red sports jersey and baggy tan trousers for her Architectural Digest February 2026 fashion feature.
This isn’t your typical interiors shoot. No marble surfaces, no linen sofas, no staring longingly out of an arched window. This one smells like clay and fresh paint — and that’s what makes it perfect. Becky G appears in the middle of a sun-drenched pottery shop for Architectural Digest February 2026, wearing an oversized red and white sports jersey with the number 87 printed so large it almost swallows her. She pairs it with baggy tan trousers, worn low on the waist with a hint of slouch. One hand tucked in a pocket, the other resting on a shelf like she shops here every weekend. The look isn’t curated — it’s thrown on, lived-in, intentional in its chill. What hits hardest is the contrast: her bold red jersey bouncing off walls packed with color — ceramics glazed in every sun tone, rows of masks and cow figurines stacked like cousins in a kitchen. Becky doesn’t try to dominate the backdrop. She becomes part of the rhythm. And it works. Here’s the thing — this isn’t glamorous, and it’s not supposed to be. It’s her stepping into a space that feels personal; the style just tags along. White sneakers keep things grounded. Hair loose, makeup minimal, no effort to over-deliver. Just confidence at its quietest volume. It’s effortlessly eye-catching because it’s not reaching. The clothes don’t shout — the setting does.
