Priyanka Chopra wore a Dior custom gown and Bvlgari Wild Pop diamond earrings at the 83rd Golden Globe Awards in Beverly Hills, January 2026.
Priyanka Chopra at the 83rd Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, one hand relaxed, the other hidden in the folds of her dress, gaze steady, not a hint of nerves. The gown is Dior Custom –deep navy, strapless, with a sculpted bodice and a dramatic, gathered skirt that balloons at the hip before falling straight to the floor. The fabric is rich, almost liquid, catching the light with every move. A long sash drapes from the waist, tied in a loose bow, giving the whole thing a sense of movement even when she stands still.
Her hair is parted in the middle, styled in soft waves, just brushing her shoulders. Around her neck, a bold Bvlgari Necklace –thick, diamond-studded, not dainty. Bvlgari Wild Pop Diamond Earrings catch the light, and a Bvlgari Ring glints on her finger. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy.
This is a look that leans into classic glamour, but with a modern, almost sculptural twist. The Dior gown is all about shape and shadow, but Priyanka’s styling keeps it grounded–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the fit do the talking.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the navy silk does all the work. No need for extra drama, just a little structure and a lot of presence.
Oona Chaplin wore a structured black strapless gown with a gold-embroidered bodice and front slit at the 83rd Annual Golden Globes 2026. (25 words)
Under all that carpet light, Oona Chaplin looks sharply composed–like someone who’s figured out how to turn fabric into armor. The gown, bold and architectural, builds upward through a strapless gold-embellished bodice that wraps diagonally in a tight grid of beading. It’s black satin underneath, with a structure that holds close to the torso then bursts suddenly into a sculptural flare at the hips. No softness here, but plenty of motion.
Below, the skirt runs long and smooth before cutting into a thigh-high slit , the sort of precision that feels practical, not provocation. The finish trails behind her–a small, disciplined train folding neatly as she moves. Black pointed pumps peek through with every step, almost blending into the floor.
Her hair is slicked back, the texture glossy against the gold. The jewelry stays minimal–just slim earrings catching light and nothing else to fight the geometry. Makeup’s cool and exact; bronzed tone, natural lip, lashes elongated but not heavy.
This isn’t red-carpet sweetness. It’s command–quiet, deliberate, and sharp-edged. The kind of look that doesn’t charm you so much as challenge whether you can look away.
Jennifer Lopez wore a Jean-Louis Scherrer vintage gown with a sheer mermaid silhouette at the 83rd Golden Globe Awards in Beverly Hills, 2026.
Jennifer Lopez at the 83rd Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, one hand on her hip, the other holding a sparkling clutch, gaze direct, not a hint of nerves. The dress is Jean-Louis Scherrer Vintage Gown –sheer, nude mesh, covered in swirling brown lace appliqué, with a high neck and long sleeves. The bodice is fitted, the lace pattern winding over her skin like vines, the skirt flaring out into a cloud of cream silk tulle at the knees. The whole thing is a study in tension–bare but baroque, soft but sculpted.
Her hair is swept up, a single tendril loose at the cheek. Earrings dangle, catching the light, but nothing shouts. Makeup is simple–smoky eyes, nude lips, skin glowing. The clutch is small, covered in stones, just enough to catch a flash. No necklace, no wild accessories, just the dress and the attitude.
This is a look that leans into the “naked” trend, but never feels like a stunt. The Jean-Louis Scherrer gown is all about craftsmanship–hundreds of yards of tulle, hand-appliquéd lace, stones sewn in by hand. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the body do the talking.
She could be anywhere–a gala, a ballroom, or just lost in the crowd. Tonight, she’s here, and the lace does all the work. No need for extra drama, just a little shimmer and a lot of confidence.
