Rachel McAdams modeled a pale blue blouse and dramatic olive sculptural skirt against a New York skyline for her 2026 Hunger Magazine photoshoot.
She stands on a marble sill, dusk flooding the glass, Midtown steel behind her. Rachel McAdams–back to us, face turned in half profile–wears a whisper-thin powder-blue blouse tucked into an olive skirt that blooms outward like unruly origami. The skirt’s folds hover at hip level, all angles and petals, then taper to a clean hem that shows miles of leg before black suede pumps close the sentence. No jewelry drama. Just one silver hoop catching the last light.
The frame turns a simple window into a stage, and the clothes into mood music. Hunger Magazine has never chased safe styling; this spread leans into that edge by pairing board-room shirting with near-sculptural volume. One sharp thought: when a garment builds out from the body instead of hugging it, the wearer looks like she’s negotiating space, not just occupying it.
Chrissy Teigen mixed Dries Van Noten jacquard pieces with Paris Texas boots while clowning around a fast-food mascot pop-up in 2026.
A striped Ronald McDonald, a waxy Colonel Sanders, a purple Grimace stand-in–and right in the middle, Chrissy Teigen laughing like the kid who stole all the nuggets. She’s in full Dries Van Noten: the Jacquard Blazer and Topaz Top fuse into a patterned mini that blurs peacock blues and raisin purples, while the matching Embellished Wrap Skirt peeks beneath the hem as she crouches for the lens. Black velvet Paris Texas Elsa Boots climb to the knee, soaking up the neon. The scene drips kitsch, yet her layered tailoring quietly flexes a high-fashion backbone. One scroll through any celebrity event look feed and this shot jumps out–proof that runway fabric can survive a fried-chicken photo-op.
Apple Martin appears in the January 2026 Self Portrait editorial, photographed in several distinct outfits that highlight texture, mood, and natural authenticity.
January 2026. Apple Martin stretched across a tree branch, light blue top and skirt soft against rough bark. Water below, foliage around. The pose direct, gaze steady. The contrast between fabric and nature feels raw, almost unfinished.
Another frame, water again. A cream dress flowing, sleeveless, fabric loose. One arm raised, the other resting. The reflection faint, the surface calm. The image ethereal, but not polished. More like a pause, a breath.
Third look, sharper. Pink textured outfit with black trim, embroidered words “Soft & Sweet” near the hip. Kneeling among tall plants, hair blonde, shoes black. The pose deliberate, gaze straight at the lens. The outfit playful, but the setting grounds it.
