Rachel Pizzolato wore a red printed midi dress and tall black boots for Valentine’s Day content at Passes in Los Angeles, February 2026.
You could call it playful, but honestly? It’s sharp. Rachel Pizzolato showed up for a Valentine’s Day content shoot at Passes in Los Angeles on February 5 wearing something that said Cupid, but with edge.
She wore a fitted red midi dress , heart-patterned and curve-hugging, with spaghetti straps and a sweetheart neckline. There’s flirtation there — but then comes the thick black waist belt , big silver buckle dead center, slicing through the sweetness. That belt changes everything.
Then she doubled down with the knee-high black leather boots — pointed toe, strong heel, sleek shape. Less pin-up, more power. They put weight in the outfit. Literally and visually. They ground it.
The backdrop was all satin and roses — soft, glossy, very on-theme — but she cuts through it like someone who didn’t come to play dress-up. Long hair down, soft waves, no overkill. The glam is polished without being stiff. There’s wing props behind her — yes — but thankfully, the look doesn’t collapse into silliness.
Here’s why this works: it’s got structure. The belt stops the dress from sliding into cliché. The boots take it out of novelty. And Rachel? She’s carrying it with a calm that says: I know it’s themed — and I still look good.
Michelle Randolph wore a long black coat layered over flared jeans outside CBS Studios in New York City on February 2, 2026.
If you ask me, cold-weather street style works best when it doesn’t even try — and Michelle Randolph nailed that balance outside CBS Studios in New York City on February 2, 2026 .
She went with a long black coat , oversized and clean. No standout buttons, no unnecessary collar drama — just a solid blanket of deep matte wool that hangs straight to mid-calf. Underneath? You catch slivers of light-wash flared jeans , slightly frayed at the hem, peeking out as she moved. There’s that high-low layering people always borrow from off-duty models but rarely get quite this right.
And then the kicker — sharp pointed heels , reptile-textured, likely deep brown or charcoal under the light. They’re not loud, but they matter. They lift the whole thing out of “just cozy” territory and into deliberate styling. It’s smart layering that does more with less.
What I love about this is it doesn’t perform. It just looks useful, warm, and still put together. The jeans add movement, the coat keeps structure, and the pointed shoes ground it all. It’s not flashy, but it’s together . Which, let’s be honest, is more useful than most of what passes as celebrity street style lately.
To sum it up: this is the outfit you copy when it’s 30 degrees outside and looking cool still matters.
Emilia Jones wore a black leather jacket and wide-leg trousers to an event at the Chateau Marmont on February 5, 2026, in Los Angeles.
There’s something quietly commanding about showing up in leather at night — especially at Chateau Marmont. Emilia Jones nailed that after-hours LA energy without going full costume.
She wore a structured black leather jacket — cropped just at the waist, zip-up front, puffed at the shoulders, but not too exaggerated. The collar had subtle embellishments, maybe studs or gems — hard to tell in the lighting, but enough to catch the flash. The whole thing looked lived-in but luxe. No shine overload, no runway awkwardness.
Paired with it? High-waisted black trousers. Clean lines, wide leg, nice drape. No competing details, no trendy distractions. Just pants that let the jacket take the lead.
She kept accessories tight. A small black shoulder bag hanging close to her body, bold red nails , one clean bracelet and a minimalist ring. Plus that half-tucked smile — the kind that says “I know I look good, but I’m not staying long.”
Here’s why it works: nothing screams. The textures do the work — matte wool , soft-worn leather , pointed black heels slicing through the shadow. You feel the outfit before you fully see it. That’s smart.
Not everything has to be clever though. Sometimes it’s just midnight cool — and this was that.
