Rachel Pizzolato moves through Empyreal’s January 2026 issue, caught between sunset stillness and ocean grit.
In Empyreal Magazine’s January 2026 issue, Rachel Pizzolato is framed against the horizon. On the cover, she stands in a red swimsuit, the ocean behind her, sunset light cutting across the frame. The shot is simple, almost stark — just her, the water, and the glow.
Inside, the mood shifts. She kneels in shallow water, blue-green bikini clinging, hair wet, arms raised. The light is golden, reflections scattered across ripples. It feels less like a pose, more like a pause mid-movement, caught between play and performance.
Together, the two images don’t chase glamour. They let her be both composed and undone. Cover star against a painted sky, then body pressed into the tide. Empyreal doesn’t flatten Rachel into one note. It lets her shift.
Dove Cameron wore a black Zuhair Murad cutout gown at the MusiCares 2026 Person of the Year tribute to Mariah Carey in Los Angeles.
At the 2026 MusiCares Person of the Year gala honoring Mariah Carey, held at the Los Angeles Convention Center, Dove Cameron didn’t opt for drama—she became it. Her entrance in a black Zuhair Murad Spring 2026 gown was rooted in restraint, but the look left no space for timidness. The fabric melted down her body like darkened silk, gathered and knotted at the waist with a subtle twist. Unfussy, but architectural.
There was a cutout just above the hips , symmetrical and concise. It softened the stark silhouette with a breath of skin. Not flashy, almost anatomical. Shoulders structured, mock neck raised, sleeves sweeping high and clean—but the sides peeled away softly, giving the illusion of something collapsing on purpose.
The styling around it stayed minimal: her hair split and slicked back tight with that glassy center part. No earrings. Bare arms aside from visible tattoos. On her feet, razor-sharp Christian Louboutin Rosalie Alta sandals , barely showing beneath the gown’s hem—just enough to catch light and disappear again. And one more thing: she wore her Bernini custom engagement ring , quietly gleaming underneath all that black draping.
This wasn’t your overworked red carpet fashion moment. It was eerie calm. Cameron looked like a shadow stitched out of fabric and tension—with the kind of tailoring that doesn’t need to raise its voice to get silence.
Skai Jackson wore a leopard-print bodysuit, sheer tights, and a shaggy black fur coat at the Warner Music Grammy Party on January 29, 2026.
At Warner Music’s 2026 GRAMMY party in Los Angeles, Skai Jackson stepped onto the grey carpet looking like she’d just stepped out of a glam rock jungle. And honestly, thank god somebody did. Her look? A leopard-print bodysuit , high-cut and unapologetic, outlined by a floor-grazing shaggy black fur jacket that added body, heat, drama—without turning costume.
Paired with sheer black tights and pointed black stilettos with an ankle strap, the whole thing walked a deliberate line between underdressed and overdone. Her legs extended endlessly in the tights, and the bodysuit didn’t need accessories because the print was the statement. The coat wasn’t about warmth—it was atmosphere. Texture on top of texture.
Hair? Crimped and voluminous. Big, glossy spirals that draped like armor, undone but not messy. No earrings distracting. No jewelry fussing around. Just her. Confident in the decision. Feet planted, stare steady—owning it.
Not trying to fit into the usual event appearance mold, and not rebelling either. It felt like a challenge skid-marked with confidence: You came for safe fashion. You got Skai instead.
