Rachel Pizzolato brought celestial drama to the Art Hearts Fashion runway—sheer geometry, radiant patterns, and a body-hugging silhouette that felt like couture’s cosmic awakening.
There are runway moments that whisper, and then there are those that roar. Rachel Pizzolato’s appearance at the Art Hearts Fashion shows during New York Fashion Week on September 13, 2025, was firmly in the latter category. Walking for Raquel Pedraza, she transformed the catwalk into a constellation of movement and light—one sheer step at a time.
Pizzolato wore a full-length, sheer black gown that defied gravity and convention. The fabric—diaphanous yet structured—was etched with radiating starburst motifs that resembled palm fronds or celestial flares. These intricate patterns created a hypnotic rhythm across the body, drawing the eye to every curve and contour. Beneath the sheer overlay, black undergarments added contrast and edge, turning transparency into a design element rather than a provocation.
Minimalist styling let the dress speak. No jewelry, no bag—just the dress, the heels, and the attitude. Black high-heeled shoes grounded the look, their glossy finish echoing the reflective runway beneath. The synergy was deliberate: every detail chosen to amplify the dress’s visual impact without distraction.
Michelle Randolph kept it crisp and contemplative—white dress, soft waves, and a minimalist mood—at IMDb’s Stars to Watch roundtable in downtown Los Angeles.
In a sea of maximalist fashion moments, Michelle Randolph’s appearance at the IMDb Stars to Watch roundtable on July 15, 2025, was a breath of minimalist clarity. Held at Soho Warehouse in Los Angeles, the event gathered rising talent for an intimate conversation on craft, visibility, and what it means to be “next.” Randolph’s look? Quietly commanding.
Randolph wore a sleeveless, form-fitting white dress that felt like a study in restraint. The fabric—likely a structured jersey or crepe—hugged her frame with precision, offering clean lines and a high neckline that balanced elegance with ease. No embellishments, no frills—just a silhouette that spoke in whispers rather than shouts. The cut was classic, but the execution was modern: a dress that could belong in a gallery as much as on a red carpet.
True to the minimalist mood, accessories were either absent or intentionally subtle. No visible jewelry, no handbag, no statement shoe—just the dress and the woman wearing it. The synergy was deliberate: every styling choice reinforced the look’s serenity and focus, allowing Randolph’s presence to take center stage.
Sophie Ellis-Bextor turned editorial into performance art—pleats, poses, and unapologetic color—during her September shoot with Chantel King for The Guardian.
Sophie Ellis-Bextor has always danced to her own beat—literally and sartorially. But in her September 2025 editorial for The Guardian, shot by Chantel King, she didn’t just wear fashion. She weaponized it. The result? A visual symphony of saturated hues, theatrical silhouettes, and poses that felt more ballet than backdrop.
In one frame, Ellis-Bextor wears a flowing, pleated light blue ensemble that feels like a cross between Issey Miyake and a Grecian oracle. The fabric—lightweight and sculptural—cascades in dramatic waves, with wide sleeves that billow like wings mid-flight. The silhouette is layered and draped, creating movement even in stillness. In another look, she dons a textured cream sweater with a high collar and visible zipper—utilitarian, yes, but softened by the plush knit and her expressive styling.
Hair shifts between soft waves and structured bangs, always framing her face with intention. Makeup is playful: bright pink lipstick, electric blue eyeshadow that matches the backdrop, and skin that glows without shimmer. The styling is cohesive across color stories—each look a self-contained palette, each pose a punctuation mark.
