Rachel Sennott wore a two-tone fringed halter top and cream leather skirt at W Magazine Best Performances Party 2026 in Los Angeles.

Inside the W Magazine Best Performances Party in Los Angeles, Rachel Sennott looked both accidental and intentional at once. She leaned against a doorway, one arm drawn up, surrounded by people still negotiating their coats. The outfit–half attitude, half architecture. A halter top fringed in uneven strips of black and sand beige, loose enough to move, but structured enough to frame the torso. Beneath it, a high-waisted cream leather skirt with side tabs that catch light quietly.

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The materials play contrast: raw fabric texture against slick leather, something downtown about it. In hand, a small silver clutch. No jewelry crowding the neck or arms; the clothes take all the space. Her hair is pulled straight back, severe but clean, and her makeup leans muted–neutral lips, defined eyes, cold precision.

In the wider field of event appearance style, Sennott’s look cuts away from perfection. It feels late-night, born from instinct rather than prediction. The kind of outfit that defines not what’s trending, but what feels alive in a room full of calculated luxury. A quietly rebellious choice, both clever and human.

Mia Goth wore a black slit gown with belted detailing at W Magazine Annual Best Performances Party 2026 in Los Angeles.

At the W Magazine Best Performances Party in Los Angeles, Mia Goth stood calm in front of her own portrait, like a frame inside a frame. She wore a straight black gown with a sharp slit through the front, cinched by a narrow belt. Thin shoulder straps, minimal cut, no embellishment–just the quiet weight of fabric and the precision of fit.

Her hair hung long, heavy, and smooth, dark against pale skin. The fringe softened her face, giving the look a low-key symmetry. No jewelry. No forced gloss. Her dress caught faint reflections from the lights, drawing the eye to the simplicity of black done right.

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The fabric has that familiar live sheen, a bit crushed, a bit impulsive. Her hair flows in gentle waves down one side, left natural against the sculpted contrast of red. Makeup stays soft but intentional; skin matte, lips slightly pink. Black open-toe platform heels add weight, grounding the satin’s almost sleepy texture. The red polish on her nails echoes the tone of the outfit, subtle but complete.

Madeleine McGraw at Vanity Fair Awards Event in Los Angeles January 2026 - 5

In the sea of red carpet fashion , this one reads refreshingly unpolished. Satin used to whisper formality, but here it feels young again, refitted with irony and ease. The result isn’t loud. It’s conversational, the kind of look that can slip between eras without trying too hard.

Fashion Verdict: Confidently offbeat — a tailored satin daydream with a wink of rebellion.