The actress trades red-carpet glamour for rebellious comfort, sporting a New York Knicks t-shirt and high-waisted jeans, a testament to her unbothered (and frankly, refreshing) approach to celebrity street style.
The look is a masterclass in off-duty chic, proving that true style lies not in labels but in attitude. Rachel Zegler steps out in London, casually navigating the city streets while exuding an effortless cool that feels both authentic and aspirational. The heart of the outfit is a light grey, cropped t-shirt featuring a vibrant cartoon depiction of a New York Knicks mascot, a playful and unexpected element that adds a touch of retro flair. The lived-in feel of the shirt, with its soft, slightly faded fabric, pairs perfectly with her dark wash denim jeans.
The jeans themselves are a statement: a high-waisted, wide-leg cut with a distinctly relaxed fit, cuffed at the ankle to reveal a hint of white from her sneakers. This silhouette offers a welcome departure from the ubiquity of skinny jeans, creating a loose, languid line that’s both comfortable and on-trend. The simple white sneakers ground the look, their slightly scuffed appearance suggesting they’re a go-to for daily errands.
Never one to shy from spectacle, Sarah Paulson fused high drama with architectural precision in her commanding (and frankly unforgettable) cover for The Cut’s Fall 2025 special issue—where fashion becomes performance, and posture a statement.
There are moments when a celebrity’s look transcends mere clothing. When it feels like a manifesto. When the fabric itself seems to breathe with intention. This is not just a portrait of Sarah Paulson—it’s a declaration.
She stands center frame, arms crossed, eyes locked, a woman who has mastered the art of being seen without needing to be loud. The image is arresting: a monochrome world split by a single, blazing slash of crimson. That color? Not just red. It’s blood-orange , rich as aged velvet, structured like armor. The coat—by Maison Margiela’s Artisanal Collection—is a sculptural marvel. Its exaggerated shoulders form geometric wings, almost military in their authority, yet softened by the deep V-neckline that draws the gaze inward. The fabric is thick, matte, weighty—a textile that demands reverence. Every fold, every seam, feels deliberate, like architecture built for power.
But the real genius lies in the contrast. Against this boldness, she wears black gloves , long enough to reach her forearms, their sleekness a quiet counterpoint to the coat’s volume. They’re not theatrical—they’re functional . A touch of old Hollywood, yes, but reimagined with modern restraint. Then there’s the jewelry: three strands of pearls, layered with surgical precision, ending in a delicate knot at the collarbone. It’s a nod to vintage glamour, but also to control—like a leash on emotion, or a promise kept.
Her hair is pulled back into a tight, severe chignon, sharp as a knife edge, framing a face painted with minimalist elegance: flawless skin, defined brows, and lips stained a deep, unapologetic red. No smoky eyes. No glitter. Just clarity. The pose—arms crossed, chin lifted—isn’t defensive. It’s possessive . She owns this space. This moment. This look.
And then, in another spread, she appears again—but transformed. Same hair, same makeup, same intensity—but now clad in a full-length Maison Margiela ensemble that looks like it was stitched from ancient parchment. The coat-dress is patchwork, textured, layered, its surface a collage of burnt browns, tans, and rusted golds. It’s raw. It’s tactile. It’s alive . She holds a matching helmet in one hand, the other outstretched as if offering an invitation—or a challenge. The boots? Tabi claw boots, part of the same collection, grounding her in something primal, something fierce. It’s less fashion and more ritual. Less costume and more armor .
This isn’t just styling. It’s storytelling. The imagery evokes John Singer Sargeant’s Madame X —a painting Paulson herself once described as “shocking for the time”—but updated for an age obsessed with identity, legacy, and the performative self. Her presence here isn’t about vanity; it’s about endurance. About surviving the spotlight and still choosing to stand tall.
She’s been inside the Met Gala five times, filmed Ocean’s 8 at the museum, and now, here, she returns—not as a guest, but as a sovereign. There’s a quiet fury in her stillness. A kind of whiplash chic that only comes from someone who has lived through the industry’s cycles and come out the other side unbroken.
It’s no surprise she’s become a fixture in fashion discourse. From her iconic American Horror Story wardrobe to her recent collaborations with designers like Thom Browne and Balmain, Paulson has always understood that clothes are extensions of character—even when she’s just walking down the street. But this? This is different. This is iconography .
And while the rest of us debate whether the new Y2K revival is overdone or overdue, Paulson reminds us that true style isn’t about trends. It’s about timing. About knowing when to burn bright—and when to go quietly, but never unnoticed.
So, is this couture’s final act of rebellion? Or simply Sarah Paulson, once again, proving that the most powerful fashion statements are made not in motion, but in stillness?
For more on how celebrities shape culture through their choices, explore our comprehensive celebrity style archive.
Dua Lipa’s Radical Optimism tour has become a visual manifesto of modern pop fashion, with each performance (including her Toronto stop) a high-octane showcase of unapologetic glamour.
Dua Lipa looked incredible in a series of show-stopping looks as she performed in Toronto at Scotiabank Arena on Monday. The singer, 30, wore a sequinned one piece before changing into a fishnet catsuit as she brought her Radical Optimism Tour to Canada.
Her first outfit, a futuristic bodysuit, was embellished with gold, metallic sequins and beads. She teamed it with a pair of knee-high sparkly stilettos and added some mesh opera gloves. The hitmaker later changed into a fishnet catsuit with a black bra and high-waisted knickers layered underneath. For the third ensemble, Dua opted for a semi-sheer dress with white lingerie and suspenders.
The Toronto gig was the latest night of the star’s mammoth 80-date Radical Optimism tour. Having kicked off in 2024, the tour is set to continue until December 2025 with Dua performing at venues across the globe.
The recent Toronto leg of Dua Lipa’s Radical Optimism tour was a masterclass in performance art and fashion. As a pop star, she commands the stage not just with her voice but with an ever-evolving wardrobe that feels both theatrical and deeply personal. While the tour is making headlines, Dua herself is making waves in a very different business venture. Reports suggest that she and her fiancé, Callum Turner, are taking their romance to the next level by launching a movie production company, a move that parallels the successful ventures of stars like Margot Robbie. This duality—dominating the stage and venturing into a new business—solidifies her as a true modern icon.
The singer’s outfits for this tour are a fantastic display of her current aesthetic, which is a perfect blend of high-fashion allure and confident sensuality. Her looks are carefully curated to match the dynamic energy of her performance, from the glimmering sequined bodysuits to the intricate lace and mesh ensembles. These looks not only highlight her fantastic physique but also underscore her position as a trendsetter. If you want to see how these tour outfits fit into the wider world of celebrity fashion , check out our comprehensive guide.
For her performance, Dua donned several memorable looks. The most striking of these was a pale pink, sheer gown with intricate floral lace details and a high slit. Paired with white lingerie, including a bustier and garters, the look felt like a modern take on a vintage pin-up aesthetic. The sheer fabric and lace embroidery create a delicate yet bold contrast, a perfect representation of her on-stage persona. This look was punctuated by her choice of footwear: thigh-high stockings and what appears to be a pair of white stilettos, further elongating her already statuesque frame.
Another standout ensemble was the black, feathered number. This outfit featured a dramatic, floor-length coat with an abundance of black feathers that added a sense of movement and drama. Underneath, she wore a fishnet bodysuit with a daringly high-cut silhouette, perfectly balancing the opulence of the coat with a touch of edge. The look was completed with sleek black hair and a minimalist makeup approach that kept the focus on the elaborate outfit.
