In a moment of quiet awe, Rachel Zegler was presented with a portrait composed of words and faces—Wyburn’s signature style capturing her legacy in layers.
July 16, 2025. Somewhere in London, away from the stage lights and balcony serenades, Rachel Zegler stood beside artist Nathan Wyburn holding a portrait that felt more like a manifesto. Known for his unconventional mediums—coffee, ketchup, newspaper clippings—Wyburn crafted a piece that fused Zegler’s image with handwritten text and miniature faces, creating a visual echo of her multifaceted career.
Lily Chee redefines seaside glamour with a bold, striped Miu Miu bag—her playful pose (a nod to summer’s wild edge) ignites a fresh wave of coastal couture.
Oh, the audacity of it—a vision that stops you mid-breath against the shimmering Côte d’Azur. Lily Chee stands poised where water meets stone, her silhouette a study in modern rebellion. The outfit, a daring fusion of sporty and sensual, unfurls in a grey ribbed crop top and matching bikini bottoms, the fabric’s texture whispering luxury against the sunlit waves. Miu Miu’s signature touch anchors the look: a rectangular handbag, its canvas streaked with bold red, yellow, and brown stripes, the brand’s initials etched like a manifesto.
In a sleeveless top and late-day light, Audrey McGraw turned a quiet car moment into a study in post-tour introspection—her gaze half-posed, half-poetic.
There’s something cinematic about Audrey McGraw in transit. Captured in a car seat with one hand grazing her chin and the other resting casually, the 23-year-old singer-songwriter channels a kind of Americana that’s more Paris, Texas than pop princess. The lighting—warm, directional, unmistakably golden hour—casts soft shadows across her face, catching the curve of her cheekbone and the quiet tension in her posture.
