Rachel Zegler appeared on The Graham Norton Show on October 24, 2025, wearing a gray plaid Ottolinger off‑shoulder blazer with matching trousers.
On October 24, 2025 , Rachel Zegler joined The Graham Norton Show , delivering a celebrity look that redefined talk show fashion. She wore a gray plaid Ottolinger off‑shoulder blazer with cut‑out detailing, paired with matching tailored trousers , creating a modern twist on classic suiting.
The asymmetry of the blazer, combined with her confident presence, transformed the outfit into a fashion moment that blurred the line between designer outfit and performance costume.
Violet McGraw attended Blumhouse and Atomic Monster’s Dead Carpet Halloween Party on October 23, 2025, wearing a playful school‑inspired look.
On October 23, 2025 , Violet McGraw stepped onto the Dead Carpet at Blumhouse and Atomic Monster’s Halloween Party , delivering a celebrity event look that leaned into the night’s playful theme. She wore a white blouse styled with a navy bow tie, a pleated navy skirt, white knee‑high socks, and black Mary Jane shoes.
Jennifer Lawrence attended the “Die My Love” Headline Gala at the 69th BFI London Film Festival on October 17, 2025, wearing a custom Armani Privé gown.
On October 17, 2025 , Jennifer Lawrence commanded the red carpet at the 69th BFI London Film Festival , attending the headline gala for her new film Die My Love . She wore a custom Armani Privé black halter‑neck gown with a plunging neckline , a look that epitomized red carpet fashion at its most powerful.
The ensemble was elevated with the Glenn Spiro diamond torque necklace , Yi Collection Pyramid Large Ring , and her Alison Lou custom engagement ring . She carried the Hunting Season Lola velvet bucket bag and completed the look with Aquazzura You and I sandals .
Lawrence’s appearance reflected the 2025 trend of celebrity dresses that merge timeless silhouettes with bold detailing. The gown’s deep neckline and sleek tailoring projected confidence, while her straight hair with fringe bangs and smoky eye makeup reinforced a modern, cinematic edge.
Her choice of accessories underscored how couture dresses thrive on balance: the sparkle of diamonds against the stark black gown created a fashion moment that resonated with both critics and fans. The addition of a Conner Ives floral jacket , seen draped casually off‑carpet, added a playful counterpoint to the otherwise dramatic look.
The ensemble is refined in its orchestration of couture and detail. The gown projected elegance, the jewelry introduced brilliance, and the accessories delivered cohesion. Some might argue the look risked severity compared to softer gowns, but the sharper observation is that Lawrence’s portraits illustrate how red carpet arrivals thrive on drama—where couture itself becomes cultural storytelling.
