In London, Rachel Zegler debuts a masterclass in classic-cool, making a red Adidas top and tiny denim shorts feel effortlessly romantic.
There is a certain effortless alchemy in the way some people dress—a seemingly simple combination that, when worn, becomes something more. It’s a secret that the French have mastered, and one that is not always easy to replicate. But in London , on August 13, 2025 , Rachel Zegler stepped out and proved she possesses it in spades. She was captured enjoying lunch at a park, and her street style look was a perfect study in elevated, off-duty dressing.
The hero of the outfit ? A crisp, red Adidas top. A classic, yes, with those three unmistakable stripes, but the choice of such a bold, solid color makes it feel both fresh and nostalgic. It’s the kind of piece you might have owned twenty years ago, and yet, it feels so perfectly right for now.
To balance the athletic sensibility of the top, she wore a pair of very short denim shorts , showcasing a relaxed and confident silhouette. The casual, cut-off nature of the shorts adds a touch of bohemian ease, creating a harmonious dialogue between the structured sportiness of the top and the laid-back nonchalance of the denim. It’s an ensemble that feels authentically herself—and utterly perfect for a casual outing in the city. The look is entirely functional, but never sacrifices style. Is it a simple outfit ? Of course. But is it chic? Absolutely.
Sabrina Carpenter unveils a new pop-goddess glamour, fusing playful rebellion with a sleek, fashion-forward sensibility for her 2025 editorial.
The story of a pop star’s evolution is often a tale told in hemlines and sequins. And in her latest editorial for Queens of Pop , Sabrina Carpenter presents a visual narrative as compelling as her music. There is, as she puts it, “a sense of separation from them [the early records], largely due to the shift in who I am as a person and as an artist, pre-pandemic and post-pandemic”. This is what happens when a Disney star who once felt she had “less creative control” becomes the pop star with a hit like “Nonsense”, a definitive “queen of pithy, playful, precision-tooled pop”. Her fashion has finally caught up with her voice.
We see it first in a stunning, shimmering couture dress—a vision of beaded fringe and nude-toned illusion that feels both delicate and commanding. It is a far cry from the “frothy and optimistic” pop of her early track “Can’t Blame a Girl for Trying”, or the “jangly folk-pop track” of “The Middle of Starting Over”. This is a more mature look, one that echoes the lyrical confidence of an artist who now has full command of her style and her sound.
Ahead of her return as Emily in Paris, Lily Collins unveils a striking neo-gothic outfit—a bold, dark leather moment that feels a world away from her on-screen persona.
We’ve all come to know Lily Collins through the lens of Emily Cooper—a character whose Parisian adventures are as defined by her bright, often chaotic, and utterly maximalist fashion as they are by her love life. So, when Collins arrived in Venice, Italy on August 14, 2025 , ahead of filming for “Emily in Paris” , her airport style was, frankly, a delicious study in contrast. This wasn’t Emily. This was a whole new mood.
Her outfit was centered around a dramatic black leather trench coat , cinched at the waist with a matching tie belt. It’s a silhouette that is at once classic and rebellious, a far cry from the vibrant patterns and playful accessories her character adores. The coat’s sleekness and gravitas set a powerful tone.
She paired the trench with chunky black boots —a utilitarian, tough-luxe choice that perfectly complemented the coat’s edgy vibe. Dark sunglasses completed the ensemble, adding a sense of cinematic mystery to her arrival. This entire look feels like a stylish whisper, a quiet rebellion against the pastel berets we’ve come to expect. Is this a hint at a darker plotline, perhaps? Or is Lily simply reclaiming her own aesthetic, proving she is not her character?
