Raye appeared on The Tonight Show Starring Jimmy Fallon on November 17, 2025, wearing a red satin ensemble for both her interview and musical performance, delivering a moment of tonal glamour and media event-coded polish.

On November 17, 2025 , Raye made a dual appearance on The Tonight Show Starring Jimmy Fallon , delivering a moment of celebrity event look-coded tonal glamour reframed as media event-coded performance fluency . For her interview segment, she wore a red satin outfit paired with matching red heels , styled with soft waves and polished makeup , while for her musical performance, she transitioned into a red satin dress with vintage-coded silhouette , flanked by backup vocalists in coordinated ensembles — a look that fused talk show outfit-coded elegance with front row fashion-coded theatricality .

The set’s nighttime cityscape and warm lighting amplified the editorial tension between intimacy and spectacle. Raye’s poised presence and expressive performance situated her within a visual narrative of public appearance-coded versatility , where fashion becomes a medium of mood, message, and late-night-coded resonance.

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Wallis Day stars in Nylon Magazine’s November 2025 editorial, wearing pastel-coded ensembles styled against surreal and urban backdrops, delivering a fashion spread that fuses beauty shot-coded softness with high-fashion-coded eccentricity.

For Nylon Magazine’s November 2025 issue , Wallis Day delivers a moment of celebrity photoshoot-coded surrealism reframed as fashion spread-coded tonal eccentricity . Across multiple looks, she explores a visual language of pastel-coded softness , urban-coded contrast , and editorial-coded sculptural playfulness .

In one standout image, Day reclines against a vertically positioned pink quilted mattress, wearing a light pink fitted blazer , patterned mini skirt , and light blue open-toe heels — a look that fuses studio portrait-coded compositional tension with beauty shot-coded pastel fluency . The pose, relaxed yet deliberate, situates her within a visual narrative of styled shoot-coded surreal elegance , where fashion becomes a medium of mood, message, and spatial disruption.

In another frame, she sits on a tattered armchair placed on a sidewalk, wearing a pink slip dress with red polka dots and decorative trim , paired with strawberry-patterned pointed heels . The juxtaposition of delicate styling and gritty urban decay amplifies the editorial tension, reframing the scene as fashion photoshoot-coded contrast fluency , where garments express both vulnerability and defiance.

A third look features Day leaning against a vintage Mercedes-Benz 300D, dressed in a green snakeskin-patterned long-sleeve top , black shorts , and heeled sandals , set against a graffiti-tagged industrial building. This ensemble channels magazine cover-coded urban realism , where fashion becomes a sculptural response to environment, texture, and tone.

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Michelle Yeoh appeared on The Tonight Show Starring Jimmy Fallon on November 17, 2025, wearing a Fall 2025 Givenchy ensemble with Richard Mille accessories and a white Antigona Vanity Bag.

On November 17, 2025 , Michelle Yeoh made a guest appearance on The Tonight Show Starring Jimmy Fallon , delivering a moment of celebrity event look-coded sculptural elegance reframed as media event-coded tonal fluency . She wore a beige bustier-style Givenchy Fall 2025 top , paired with a high-waisted black skirt featuring a dramatic bow detail and front slit , styled with Givenchy Sliced Square ankle boots in shiny leather , a white Antigona Vanity Bag with chain , and the Richard Mille RM07-04 Orange Original watch — a look that fused talk show outfit-coded architectural tailoring with press event style-coded accessory punctuation .

The set’s cityscape backdrop and signature blue wall amplified the editorial tension between polish and personality. Yeoh’s poised smile and confident stance situated her within a visual narrative of public appearance-coded command , where fashion becomes a medium of presence, message, and late-night-coded resonance.

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