Rebecca Black wore a sleeveless black dress with tan lace-up boots to the ASCAP Grammy Brunch at the Four Seasons in Los Angeles.
At the ASCAP Grammy Brunch held January 30 at the Four Seasons in Los Angeles, Rebecca Black arrived in an outfit that didn’t beg for attention—it sidestepped into sharpness instead. The silhouette was simple: a sleeveless black midi dress with a softly flared, asymmetrical hem and clean paneling across the waist. Running straight down the front? A line of bold white buttons—not functional, just enough to punch contrast into a sea of muted black.
She paired it with tan lace-up knee boots —wide set, rounded toe, slightly retro. They weren’t elegant. They were sturdy. Played against the dress’s tactile softness, it created enough friction to keep you staring. No necklace, no earrings. A black oversized tote on one arm. Round oversized black sunglasses covering half her face. And the finishing touch: a black beret sat slightly askew, intentionally so. Paris café meets LA brunch circuit.
It wasn’t red carpet costume. It wasn’t trending. Her tattoos peeked out quietly across both arms, unfussy and unsmoothed. This was fashion as attitude—not volume. Dressed like she knew brunch is still public, still performative, still worth showing up tailored.
Bodhi Rae Breathnach wore a sheer floral peplum dress with socks and pastel heels at the Shelter UK premiere in London on January 20, 2026.
At the UK premiere of Shelter on January 20 in Leicester Square, Bodhi Rae Breathnach showed up like a dream caught mid-bloom. Her outfit looked like something plucked gently from a watercolor palette. The structure? A sleeveless sheer green floral midi dress , layered softly at the waist with a peplum flare, the kind that floats more than it flares. Faint blooms in cream and sky blue blurred across the fabric like pressed petals.
Her choice of styling kept things childlike without being costume. White socks with scalloped trim peeked above a pair of lilac heels , low and round-toed with a gold strap detail—a reminder that whimsy, when done right, doesn’t need to apologize. Her hair was parted to one side in long loose waves, grounded by a tiny white barrette clipped at the temple. No statement earrings. Just small gold jewelry here and there—a chain, a bangle—that felt like it could’ve come from a jewelry box passed down through cousins.
The tone wasn’t loud or rebellious. It didn’t compete with the carpet. It whispered. And sometimes, especially on a red carpet full of velvet and volume, whispering is the most interesting thing you can do.
Nessa Barrett wore a sheer black lace dress and pointed heels to the Warner Music Grammy Party in Los Angeles on January 29, 2026.
At the Warner Music Grammy Party in Los Angeles on January 29, Nessa Barrett showed up in something that felt half-witchy, half DIY-punk, letting shadowy textures and skin do the heavy lifting. The dress—if we’re still calling it that—was a black sheer lace slip , asymmetrical and textured, with flashes of crochet and raw edges gathered along the hem. You could see her legs. That wasn’t the point.
The neckline dropped deep—a plunge with thick, black eyelet trim stitched in loose ovals. More decorative than functional, but holding shape. No bra. Tattoos sticking out right where the lace stopped. The straps fell loosely over her shoulders in mismatched angles. Nothing about the construction was clean, but it worked because it wasn’t pretending.
Barrett wore her hair down in soft waves, parted off-center, flipping casual. Her shoes: pointed black heels , classic patent texture that glinted with the camera lights but didn’t interrupt the mood. Fingertips ringed in silver and black polish. Bare legs. Tattoos and hair doing half the styling.
This wasn’t about polish or trend. It was mood. Barely a dress, barely styled— but something about that mess made it magnetically sure of itself.
