Rebecca Ferguson’s sculptural black gown at the A House of Dynamite premiere was pure cinematic tension—high neckline, asymmetry, and a train that trailed like a plot twist.
Rebecca Ferguson doesn’t just attend premieres—she arrives like a closing scene. At the A House of Dynamite red carpet during the 82nd Venice International Film Festival, she stepped into the spotlight in a look that felt more like a character reveal than a fashion moment. It was dark, dramatic, and designed to linger.
Ferguson wore a long, textured black gown with a high neckline and asymmetrical design that played with volume and restraint. The fitted bodice sculpted her silhouette with precision, while the skirt flared into a dramatic train that swept the carpet with cinematic flair. The fabric—likely a structured jacquard or layered tulle—added depth and movement, catching light in subtle waves. The asymmetry wasn’t just visual—it was emotional, evoking tension and elegance in equal measure.
She paired the gown with silver high-heeled sandals—sleek, minimal, and just visible beneath the hem. Jewelry was kept understated, allowing the dress’s texture and shape to dominate. Her hands, adorned with rings, added a touch of sparkle without tipping into excess. The styling was tight, editorial, and clearly built around the gown’s sculptural drama.
Rebecca Ferguson didn’t just wear black—she made it narrative. For more red carpet looks that blend structure with story, explore our archive of celebrity style .
Sydney Sweeney just rewrote the rulebook—again—this time swapping Christy’s wrestling ring for a sartorial knockout at the Variety Studio during TIFF 2025, where tweed met sheer audacity (and a corset refused to stay hidden).
Sydney Sweeney doesn’t just wear clothes; she weaponizes them. At the Variety Studio during the Toronto International Film Festival , the actress unveiled a look that was equal parts power suit and provocateur’s manifesto. Styled by Molly Dickson , Sweeney’s ensemble began as a classic gray tweed blazer—until the twist. Literally. A deep plunge neckline, knotted just below the bust, gave way to an exposed sheer corset, its boning a defiant centerpiece. The matching low-rise trousers elongated her frame, but let’s be real: all eyes were on that midriff, where the corset’s architectural lines played peekaboo through the tweed’s structured facade.
The Paris Texas Lidia Slingback Pumps —sharp as a paper cut—anchored the look, their pointed toes echoing the razor’s edge between corporate and carnal. No bag, no fuss, just a single statement: This is what happens when tailoring gets a thrill.
Outfit Focus: The Corset, Unshackled
- Fabric & Texture: The tweed blazer, traditionally the domain of stuffy boardrooms, was subverted with a sheer, boned corset—its black straps and vertical seaming a stark contrast to the heathered gray. The juxtaposition? Like a Wall Street wolf in a glass cage.
- Silhouette: The blazer’s twist detail and deep V neckline created an optical illusion, as if the suit itself was unraveling to reveal the corset beneath. The low-rise trousers, wide-leg and fluid, balanced the rigidity above with a whisper of ‘70s insouciance.
- Designer Moxie: While the designer remains unconfirmed, the look channels the cyber-femme fatale energy of brands like Blazé Milano or Nensi Dojaka —masters of merging severity with skin.
- Accessories: Minimalism reigned. No jewelry, no distractions—just those Lidia Slingbacks , their slender straps a quiet exclamation point.
Sweeney’s corset obsession is well-documented. From the blush pink Erdem gown at the Christy premiere (September 5) to her butter yellow stunner in August, she’s made it clear: 2025 is the year undergarments became outerwear. But she’s not alone. Heidi Klum and Leni Klum flaunted matching sheer corsets this summer, while Sofia Vergara paired hers with jeans, and Rihanna turned the Met Gala into a masterclass in bump-and-boning.
Is this the death of demure? Or just the logical endpoint of an era where celebrity fashion thrives on transparency—both literal and metaphorical?
Federica Zacchia’s white blazer dress at the A House of Dynamite premiere was a tailored twist on red carpet glamour—sharp lines, cape drama, and silver sandals that sealed the look.
In a sea of sweeping gowns and sequined spectacle, Federica Zacchia chose a different kind of statement at the A House of Dynamite premiere during the 82nd Venice International Film Festival. Her look was crisp, modern, and quietly subversive—proof that power dressing doesn’t need to shout to be heard.
