Rebecca Hall wore a striped blue button-up layered under a black satin fit-and-flare dress with black heels at the BAFTA Tea Party 2026.
Against the lavender BAFTA backdrop, Rebecca Hall keeps her look disarmingly grounded. She wears a fitted black satin dress layered over a blue-and-white striped shirt , its cuffs rolled and collar casually unbuttoned. The effect is crisp but a little undone, like something borrowed from a creative meeting that carried her straight out the door and onto a carpet.
The dress cuts clean at the waist before flaring into soft folds that move easily above her knees. It’s an unusual pairing–structured satin with the office staple of a shirt–and it somehow works because she refuses to make it precious. Simple black heels , with a pointed toe and ankle strap, anchor the outfit’s balance between polish and practicality.
Her makeup stays restrained: hint of rose lip, pale shimmer along the eyes, cheeks just touched with warmth. Hair loose, parted down the middle, falling natural. The look feels functional, chic in its stubbornness–a stubbornness that reads as charm on her.
This isn’t glamour in the borrowed sense. It’s a uniform bent slightly off-axis–sharp, self-ironic, quietly perfect.
Grace Van Patten wore a black leather trench coat with open-toe heels outside the Good Morning America studio in New York City on January 12, 2026.
Grace Van Patten outside the Good Morning America studio, New York City, January 12, 2026. She’s on the sidewalk, not a red carpet in sight, but the look is sharp– black leather trench coat , long, buttoned, with a clean collar and no visible embellishments. The coat hits mid-calf, just enough to show off black open-toe heels. She carries a black clutch, gold hardware peeking out. No scarf, no hat, just a single chunky ring and a lot of attitude.
Her hair is long, straight, parted in the middle, almost too perfect for the wind. Makeup is minimal–just a little bronzer, lips a soft nude, eyes defined but not heavy. The whole thing feels a little bit “model off-duty,” a little bit “don’t mess with me.” No drama, no sparkle, just leather and confidence.
This is a look that leans into urban fashion –tailored but not stiff, modern but not trying too hard. For those who follow celebrity look , it’s a reminder that sometimes the best move is to keep it simple–one great coat, one strong walk, and a little bit of edge.
She could be anywhere–a gallery, a dinner, or just out for coffee. Today, she’s here, and the leather does all the talking. The rest is just city noise.
Hannah Einbinder wore a powder-blue sleeveless top over a white tee with black trousers and pointed heels at the Film Independent Spirit Awards.
Against the subtle red-to-black backdrop of the Spirit Awards Brunch, Hannah Einbinder stands calmly–minimal fuss, clear lines. Her outfit? A powder-blue sleeveless knit top , soft enough to look brushed, layered cleanly over a crisp white T-shirt . The color choice feels airy next to the deep tones behind her, like a small rebellion against the usual event formalwear.
She pairs it with black tailored trousers , slightly relaxed through the leg, cinched by a thin belt. The hem breaks gently over pointed black heels , grounding the otherwise pastel lightness of the look. It’s quiet styling but full of intent–modern simplicity rather than effort disguised as ease.
Hair kept natural, parted loosely, makeup faint–dewy skin, muted eyes, a hint of pink lip. There’s something honest about it, no gloss disguising her expression. The whole ensemble sits between lived-in comfort and precise structure–the kind of outfit that doesn’t scream for attention but still ends up remembered.
