Rebecca Hall wore a white embroidered top with a black high-shine leather skirt and matching heels at the Film Independent Spirit Awards.
Rebecca Hall , poised as ever, chose the kind of outfit that feels smart rather than showy. A white structured blouse with a sculpted cape-like overlay, delicately embroidered with looping black motifs, anchors the look–a mix of quiet craftsmanship and restraint. The clean fold of fabric feels architectural, almost like it could hold its shape even without her in it.
Below, a high-waisted black leather skirt , fitted close and slick with high-shine texture, creates a deliberate friction between vintage polish and modern edge. The hem stops clean at mid-calf, precise, giving her silhouette a strong vertical line. Pointed black pumps finish it off–no embellishment, just intent.
Misha Osherovich wore an oversized gray blazer with a white shirt, burgundy bow, and heels at the Film Independent Spirit Awards Brunch.
At the Film Independent Spirit Awards Nominee Brunch, Misha Osherovich steps into structured chaos–the kind that looks perfectly controlled. They wear an oversized gray blazer , boxy and deliberate, the padded shoulders hinting at a 1980s business-uniform energy. Underneath, a crisp white shirt with wide cuffs spills neatly from the sleeves, and at the neck, a burgundy satin bow turns the whole thing unexpectedly soft.
Bare legs under black sheer tights, pointed burgundy heels grounding the color story. The tailoring feels sharp; the styling feels sly. It walks the line between gender play and playful nostalgia–like Annie Hall meets punk cabaret. Nothing ironic about it, just too perfectly odd to belong anywhere else.
Their hair–a tumble of tight curls, high and full–adds height and a little defiance. The makeup contrasts it: dewy, restrained, flushed only at the mouth, no circus of color. There’s intent behind every mismatched proportion–the shrunken hemline, the huge cuffs, the neat bow drowning in silk.
Wally Baram wore a white button-up shirt with black trousers, tie, and suspenders at the Film Independent Spirit Awards Nominee Brunch 2026.
Standing against the muted maroon backdrop, Wally Baram makes crisp simplicity look deliberate. A white button-up shirt , sleeves rolled neatly to the wrist, meets high-waisted black trousers with sharp pleats and structured suspenders. The look flirts somewhere between old-school menswear and modern comedian cool–a balance she pulls off without visible effort. The black tie hangs exactly straight, refusing the loose-tie trope completely.
