Rebecca Hall wore a yellow satin mini dress with matching heels and a clear umbrella at The Beauty photocall in Rome 2026.
Bella Hadid wore a brown leather bomber jacket, dark jeans, and Salomon sneakers while out for breakfast in SoHo New York City January 2026.
Stepping through SoHo’s winter light on January 19 2026, Bella Hadid looked less like she was performing model off duty and more like she was simply living it. A cropped brown leather bomber jacket wrapped around her shoulders, the kind that instantly reads vintage even if it’s Saint Laurent. Beneath it, a black hoodie, sleeves nudging the edges of the jacket’s cuffs–casual, a bit unruly. Her jeans, a clean dark wash and straight cut, skimmed over black Salomon hiking sneakers. Nothing flashy. Just the sort of outfit that works because it doesn’t shout.
Jennette McCurdy wore a dark burgundy suit and matching leather coat outside the Good Morning America studio in New York City 2026.
Outside the Good Morning America studio in Manhattan, Jennette McCurdy steps out in quiet confidence–no flash, no fuss. She wears a dark-burgundy double-breasted suit layered with a long, glossy leather coat in nearly the same tone. The shoes — chunky, practical — add a small, grounded weight to the clean vertical of the look. Her hair moves just enough in the winter air to stop the structure from feeling stiff.
This is power dressing without shouting. The monochrome palette keeps everything measured, while the material play between matte wool and slick leather adds depth. The oversized coat, a touch severe at first glance, becomes interesting precisely because it’s almost too big–like an artist-in-studio uniform forced into city rhythm. It belongs to that modern streak of tailoring that celebrates imperfection: slouch instead of discipline, texture instead of polish.
