Rebecca Hall wore a Thom Browne Spring 2026 trompe‑l’œil bodysuit with a black floor‑length skirt at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Rebecca Hall attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , wearing one of the evening’s most cerebral and conversation‑starting ensembles. She chose a Thom Browne Spring 2026 trompe‑l’œil bodysuit , designed with a three‑dimensional, body‑mapped illusion in muted tones of grey, ivory, and black . On the runway, the piece was styled with pleated mini‑skirts and striped socks, but Hall made the deliberate choice to ground the surrealism with a floor‑length black skirt featuring a high slit , transforming the avant‑garde top into a red carpet‑ready statement.
Her styling was minimal— black open‑toe heels and a single ring —allowing the bodysuit’s sculptural artistry to remain the focal point. The result was a look that balanced provocation with restraint, artistry with wearability.
This appearance reflected the 2025 fascination with avant‑garde couture on the red carpet , where surrealist design elements are recontextualized for formal events. Thom Browne’s trompe‑l’œil techniques, long celebrated in fashion circles for their wit and architectural precision, found new resonance in Hall’s interpretation.
In the broader context of red carpet fashion , her look exemplifies how stars now embrace designer outfits as intellectual statements . By pairing a provocative bodysuit with a classic skirt, Hall demonstrated how celebrity fashion moments can function as both art and attire—ensuring her presence was among the best dressed of the evening while sparking dialogue about the role of surrealism in haute couture.
Kaia Gerber wore a custom Givenchy white lace gown with Santangelo jewelry at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Kaia Gerber attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that merged ethereal delicacy with couture precision. She wore a custom Givenchy gown , a floor‑length, sleeveless creation in white lace with a sheer overlay and floral embroidery . The semi‑transparent design revealed a white underlayer, balancing sensuality with refinement.
Her accessories included the Santangelo Venezia Belt and Santangelo Genesis ’88 Earrings , subtle yet sculptural pieces that added a contemporary edge to the romantic gown. With her dark brown hair styled straight to the shoulders and minimal additional adornment, Gerber allowed the interplay of lace and transparency to remain the focal point.
This appearance reflected the 2025 fascination with sheer couture gowns , where transparency is used to project both vulnerability and strength. Givenchy’s custom work has long been associated with architectural lace and modern romanticism , and Gerber’s choice aligned seamlessly with this ethos.
In the broader context of red carpet fashion , her look exemplifies how stars now embrace designer outfits that merge archival codes with contemporary styling . By pairing a delicate lace gown with Santangelo’s sculptural jewelry, Gerber reinforced her reputation for fashion moments that balance softness with edge , ensuring her presence was among the best dressed of the evening .
Olivia Rodrigo wore an archival Armani Privé Spring 2005 couture look with Chopard rings at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Olivia Rodrigo attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that underscored the growing red carpet fascination with archival couture. She wore an Armani Privé Spring 2005 couture ensemble , consisting of a cream‑colored sleeveless top adorned with a crocheted black floral embellishment at the neckline and a long, flowing black skirt with a train . The outfit’s restrained palette and sculptural silhouette allowed the archival craftsmanship to speak for itself, while the floral detail introduced a note of romantic eccentricity.
Rodrigo paired the gown with Chopard jewelry , including the L’heure Du Diamant Ring and the Ice Cub Ring in Ethical White Gold , along with earrings that added subtle sparkle. Her styling was deliberately minimal, ensuring the archival Armani remained the focal point of her appearance.
This appearance reflected the 2025 trend of archival couture revival , where stars embrace historic runway pieces to project both fashion literacy and cultural depth. By selecting a look from Armani Privé’s Spring 2005 collection—originally presented at Paris Haute Couture Fashion Week—Rodrigo aligned herself with a broader movement that values heritage fashion as a form of storytelling .
In the broader context of red carpet fashion , her choice exemplifies how stars now use designer outfits as cultural artifacts , reintroducing past collections into contemporary discourse. The decision to wear archival Armani also reinforced the house’s reputation for architectural restraint and timeless elegance , ensuring Rodrigo’s presence was among the best dressed of the evening .
The ensemble is refined in its orchestration of heritage and modernity. The floral embellishment projected romantic eccentricity, while the black skirt introduced gravitas. Some might argue the archival choice risked feeling subdued compared to more theatrical gowns, but the sharper observation is that Rodrigo’s styling illustrates how celebrity gowns now thrive on historical resonance—where the past is reactivated to create an iconic appearance in the present.
