Renate Reinsve posed for Nathaniel Goldberg in ELLE USA’s Women in Hollywood issue, wearing the Diego Ortega Paradise Gown — a voluminous black strapless silhouette styled with platform shoes.
For ELLE USA’s Women in Hollywood December 2025 issue , Renate Reinsve is captured in a studio portrait that emphasizes high fashion-coded drama reframed as editorial spectacle . Against a plain light backdrop, she wears a strapless black gown with a fitted bodice and a voluminous, asymmetrical skirt that extends outward and downward. The monochrome black‑and‑white treatment intensifies the gown’s sculptural qualities, while her stance — arms crossed, gaze steady — underscores authority and poise.
Rose Byrne posed for Zoey Grossman in ELLE USA’s Women in Hollywood issue, styled across multiple outfits that balance intimacy, authority, and high fashion-coded spectacle.
For ELLE USA’s Women in Hollywood November 2025 issue , Rose Byrne is captured in a series of editorial portraits that emphasize celebrity photoshoot-coded versatility . On the cover, she reclines against a red carpet backdrop in a white intricately patterned ensemble with a plunging neckline , paired with a gold choker necklace . Her slicked-back hair and direct gaze situate the frame within magazine cover-coded authority , while the caption “The Real One” underscores authenticity as the editorial theme.
Additional frames from the shoot highlight Byrne in tailored black suiting and minimalist coat silhouettes, each staged against neutral interiors with red carpet flooring. These edits expand the narrative from cover intimacy to fashion spread-coded strength , situating Byrne as both experimental and authoritative.
Renate Reinsve posed for Nathaniel Goldberg in ELLE USA’s Women in Hollywood issue, wearing Celine Resort 2026 styled with a voluminous faux‑fur coat, draped skirt, and Givenchy Gent loafers.
For ELLE USA’s Women in Hollywood December 2025 issue , Renate Reinsve is captured in a studio portrait that emphasizes layered winter couture reframed as editorial spectacle . Against a plain white backdrop, she wears a voluminous white faux‑fur coat with a high collar , paired with a long draped skirt gathered at the side . The look is grounded by dark tights and burgundy loafers , creating a deliberate tension between oversized softness and structured footwear.
Her stance is composed, hands relaxed, underscoring the shoot’s editorial intent: a study in contrast between texture, tone, and silhouette.
