Rhea Seehorn wore a black floor length gown with sculpted cream puff sleeves at the 78th Annual DGA Awards 2026.
If you ask me, Rhea Seehorn is at her best when she looks a little strict and a little playful at the same time. At the 78th Annual DGA Awards in Los Angeles on February 7, 2026, she hit the red carpet in exactly that mood. It is the kind of celebrity style that feels thought through but not overwrought.
Her dress is a clean black column gown with a high, almost square neckline and a long, fluid skirt that falls straight down. All the personality is in the sleeves: huge, ruched ivory satin puff sleeves that sit off the shoulder, tied in with thin drawstring straps. From some angles they look like little clouds parked on her upper arms.
On a night packed with red carpet fashion and shiny celebrity dresses , this feels calm. Among the red carpet arrivals , it stands out because the base is so simple and the detail is so loud. It has the drama of a couture dress without shouting about it, more “I know what I like” than “please notice me”.
She keeps everything else stripped back. Black pointed heels peek out from the hem, no platform, no sparkle. Tiny earrings, a couple of rings, soft lashes and a neutral lip. The hair is parted to the side and tucked behind the ears, a neat little blunt bob that lets the sleeves do the talking. Dark nails add a bit of bite so the look never turns sweet.
If you ask me, this is the kind of celebrity look that actually translates to real life: a sharp base plus one wild detail. It reads like a borrowed designer outfit , but also like she could sit, move, and breathe without worrying about seams. As a quiet fashion moment , I think it might sneak onto a few best dressed lists even though it is not chasing some staged iconic appearance or heavy haute couture vibes.
To sum it up, the dress stays out of the way so the sleeves can steal just enough attention, and that balance feels very Rhea.
Would you keep the puff sleeves this
Lauren Miller wore a gold leopard midi dress and Seth Rogen wore a black velvet tuxedo at the 78th DGA Awards 2026.
If you ask me, nothing beats a couples red carpet moment where both halves keep it sharp without competing. That’s exactly what Lauren Miller and Seth Rogen delivered at the 78th Annual DGA Awards in Los Angeles.
Lauren’s look leans playful-chic. She picked a sleeveless midi dress cut from gold cloth scattered with tiny black leopard spots . The fit is easy through the bodice, then widens into an A-line that hits just above the ankle — practical for moving through a crowded press line. A slim black border at the hem gives the print some breathing room. Black pointed pumps, a simple gold chain, and a snaking cuff bracelet keep the focus on the pattern. I’m calling it now: the dress works because the print stays tight and consistent — no confusing size shifts, no clash.
Seth matched her energy with a classic black velvet tuxedo . The double-breasted jacket hangs well, its subtle sheen catching flash bulbs without reading flashy. Crisp white shirt, tidy bow tie, and glossy brogues finish the deal. The best part? The velvet’s depth plays off Lauren’s print instead of overshadowing it.
Here’s why this combo lands: both outfits feel comfortable enough for a long night but punchy enough for the photos every celebrity red carpet demands. Neither tries too hard. They look like themselves, just polished.
Would I tweak anything? Maybe a bolder lipstick or a pocket square, but honestly, the coordination already does the talking. To sum it up: two outfits, zero fuss, solid impact.
Shannon Murphy wore a tiered floral gown with textured ruffles and a gold statement necklace to the DGA Awards in Los Angeles, February 2026.
There’s always one guest who brings spring to the red carpet mid-winter, and this time it was Shannon Murphy at the 78th Annual DGA Awards in Los Angeles on February 7.
She wore a floor-length tiered floral gown that looks like someone airbrushed a greenhouse onto chiffon. The colors melt between lilac, marigold, olive, and grey — soft, faded, like they were sun-bleached before hitting the fabric. The dress has a halter neckline and moves weightlessly, but there’s structure built into the way the tiers drop. What changes the game? The three separate rows of textured ruffle trim , almost three-dimensional, circling across the body from hip down. It adds volume, tension, something for the eye to land on.
At the collar? A statement gold floral necklace that almost blends into the dress at first glance but hits with full attention once the light finds it. It’s a bold move — flower on flower — but she commits.
Hair’s loose, softly waved, parted just enough to not get in the way. Makeup leans blush-toned, but otherwise muted. A black clutch bag , simple and structured, is the only real contrast point, and it works — something sharp to tuck against.
Is it a universally safe red carpet fashion choice? Not at all. But that’s what makes it memorable. She didn’t come to vanish into the background.
Closing note: more ruffles, fewer filters — this is red carpet optimism the way it should be.
