Rhian Teasdale wore a cropped top, white shorts, and rosette belt for Wet Leg’s Glastonbury 2025 performance.
Rhian Teasdale performed live with Wet Leg at Glastonbury on June 27, 2025, wearing a stage look that fused punk athleticism with ironic femininity. The white cropped top , layered over a black bra , created a visual tension between exposure and structure — a styling move that reframed concert outfit logic as body-positive armor .
Her white shorts and belt with rosette detail added a note of playful defiance, while the visible tattoos and flexed pose turned the body into a message board — strength, vulnerability, and spectacle colliding in real time. The pink-tinged hair and dark red stage backdrop amplified the contrast, making the look feel like a spotlight moment engineered for maximum impact.
Olivia Cooke wore a patterned sweater and red-soled heels for her Sunday Times Style cover in December 2025.
Olivia Cooke appeared on the cover of The Sunday Times Style dated December 7, 2025, in a look that fused domestic comfort with editorial irony. Seated on a bed with white pillows and a pink quilted blanket , Cooke wears a black and white patterned sweater paired with gray socks and red-soled high heels — a styling contradiction that reframes beauty shot logic as bedroom surrealism .
The open book in her hands and the floral wallpaper behind her suggest a scene of quiet introspection, but the heels disrupt the narrative — turning a cozy vignette into a fashion spread . This wasn’t just a celebrity photoshoot . It was a styled shoot engineered to challenge the boundary between lived-in and styled-up.
Jessica Alba wore Elie Saab Fall 2025 Couture for the Red Sea Film Festival opening night premiere of Giant.
Jessica Alba attended the Opening Night premiere of Giant at the Red Sea International Film Festival in Jeddah, Saudi Arabia on December 4, 2025, wearing Elie Saab Fall 2025 Couture. The strapless black gown , sculpted in a mermaid silhouette , fused architectural precision with red carpet drama. The textured fabric and oversized bow detail at the hip reframed volume as punctuation — a styling gesture that turned couture into statement logic.
Her diamond necklace and rings added a note of classic glamour, while the loose waves softened the look’s structural intensity. This wasn’t just a red carpet fashion moment . It was a haute couture appearance calibrated for cinematic resonance.
The gown’s flare — dramatic but controlled — echoed the festival’s own ambition: to celebrate global cinema with unapologetic elegance. Alba’s pose, poised and direct, suggested someone who understands how to wear couture without being consumed by it.
