Rihanna wore a custom Balenciaga pink gown with gloves and hat at the Gotham Film Awards 2025 in New York City.
At the 35th Gotham Film Awards in New York City, Rihanna turned the red carpet into a surrealist stage. Wearing a custom Balenciaga Spring 2026 gown , she embraced a flowing off-the-shoulder silhouette in cotton-candy pink , paired with black gloves , a matching headpiece , and oversized sunglasses . The look was theatrical, almost sculptural — a deliberate exaggeration of red carpet tropes that felt more Comme des Garçons than couture.
The ensemble’s accessories — the Balenciaga gloves and hat , the Bvlgari Midnight Riviera necklace , and the Amina Muaddi Custom Pink Diamante Sandals (though not visible, confirmed via context) — reinforced the fantasy. This wasn’t just a gown; it was a character. Rihanna’s styling suggested a postmodern debutante, one who understands the power of irony and excess in equal measure.
Amy Jackson wore a black off-shoulder gown with sheer panels and high slit at The Fashion Awards 2025 in London.
Amy Jackson’s appearance at The Fashion Awards 2025, held at the Royal Albert Hall in London, was a study in controlled drama. Her black off-the-shoulder gown , defined by sheer panels and a high slit , balanced sensuality with architectural clarity. The gown’s strategic transparency and sculpted neckline created a silhouette that felt both classic and provocative — a nod to the enduring tension between concealment and exposure in red carpet fashion .
The look’s strength lies in its restraint. Rather than relying on embellishment, Jackson’s gown leveraged negative space and sharp tailoring to command attention. Her black pointed-toe heels reinforced the linearity of the ensemble, while her sleek styling — minimal accessories, clean makeup — allowed the garment’s structure to remain the focal point.
Lily Allen wore a golden satin gown with lace bodice and puffed sleeves at The Fashion Awards 2025 in London.
Lily Allen’s appearance at The Fashion Awards 2025, held at the Royal Albert Hall in London, was a gilded homage to romantic excess. Her golden satin gown , complete with a lace-detailed bodice , puffed sleeves , and a flowing train , embraced the theatricality of red carpet fashion with unapologetic flourish. The fabric’s high-shine finish and fluid drape evoked the grandeur of 1930s Hollywood, while the puffed sleeves and lacework nodded to Victorian revivalism — a fusion that felt both nostalgic and performative.
The sparkling choker necklace and glittery gold clutch reinforced the look’s maximalist intent, adding texture and light without overwhelming the silhouette. Allen’s styling leaned into the fantasy, positioning her not as a passive attendee but as a character in a visual narrative — one that plays with time, glamour, and self-aware spectacle.
