Rihanna and ASAP Rocky were seen leaving Siena Restaurant in Paris on January 22, 2026, wearing black evening ensembles and matching sunglasses.
Evening folds over Paris, the kind of glow that feeds paparazzi flash. Rihanna steps out first, arm looped through ASAP Rocky’s, both dressed in shadow-colored coordination that thrives past midnight.
Rihanna wears a draped black leather coat , glossy and form-wrapped, the fabric curling at the hem like folded paper. The neckline plunges slightly, revealing layered diamond necklaces against her skin — a flash of old glamour re-cut for modern dominance. In her hand, a black woven clutch , structured yet soft, catching dim light with every camera burst. On her feet, black heeled sandals with near-invisible straps; elegance reduced to lines. Rectangular sunglasses and straight jet hair seal the look with deliberate control.
Rocky keeps step beside her — black tailored trousers and a cropped jacket trimmed with fringe , worn over a pale pink shirt and narrow red tie . His gesture — a hand raised half in greeting, half in dismissal — punctuates the frame. Matching her calm confidence, his layered pins and jewelry glitch the formality just enough to feel spontaneous.
Emilia Clarke wore a black sleeveless flared dress while Haley Lu Richardson wore a sheer ribbed bodysuit on the Cosmopolitan January 2026 photoshoot.
Emilia Clarke and Haley Lu Richardson were photographed together for COSMOPOLITAN’s January 2026 issue — not posing separately, not competing, just leaning into each other like they’ve known each other forever. Emilia, on the right, is in a black sleeveless dress , simple, clean, matte jersey drape. No fuss. No hardware. Just cut and fall. Haley, on the left, is in a black bodysuit , sheer panels across the torso, lace detailing at the bust, structured seams running down the sides. Hair? Loose, wavy, natural. Makeup? Barely there — just enough to catch the light. Nails? Neutral. Rings? One on Haley’s left hand — gold, chunky. Not flashy. Just… there.
Chrishell Stause wore a Redone x Hanes tee with Givenchy jacket, Seroya Torell jeans, and Kurt Geiger tote on January 23, 2026.
On January 23, 2026, Chrishell Stause steps into a relaxed moment amid her closet, pulling together an outfit that mixes everyday ease with a touch of structured edge. She’s in a Redone x Hanes the Classic Tee , its simple white cotton tucked loosely into Seroya Torell Wide Leg Jean –those distressed blue denim pants with intentional rips at the knees, falling wide and loose over white sneakers. Over it all sits the Givenchy College Cropped Varsity Jacket , a black-and-white piece with leather-like sleeves and a boxy, abbreviated cut that hits just at the waist, adding a sporty nod without overdoing it. The standout accessory is the Kurt Geiger South Bank Floral Love Tote , a vibrant bag splashed with multicolored florals, held casually in hand like it’s the one thing tying the whole thing to something brighter. Hair falls straight and unassuming, makeup kept natural–nothing forced, just a straightforward setup in what looks like a personal wardrobe space. This ensemble taps into a broader shift toward unpretentious dressing, where high-end pieces mingle with basics in a way that echoes the quiet resurgence of ’90s casualwear–think Carolyn Bessette-Kennedy’s off-duty minimalism, but updated for today’s hybrid work-from-home reality. Stause, fresh off her real estate ventures and acting gigs, seems to lean into this as a subtle flex of authenticity, turning a simple closet snapshot into a reminder that fashion can be about real-life utility rather than constant performance. It’s a look that fits her trajectory, blending polished visibility with the kind of low-key vibe that resonates in an era of social media oversharing. The proportions here work effectively, with the cropped jacket balancing the volume of those wide-leg jeans, creating a silhouette that’s casual yet intentional–though the rips add a worn-in grit that might feel a tad contrived in such a pristine setting. The floral tote injects needed color against the neutral palette, preventing the whole thing from slipping into bland territory, but it’s the jacket’s varsity heritage that really anchors it, nodding to Givenchy’s play on American collegiate tropes without overwhelming the simplicity of the tee and denim. Overall, this isn’t a bold reinvention, but a solid, everyday assembly that highlights how mixing brands like Redone and Kurt Geiger can yield something functional for quick errands or content creation. In a world obsessed with curated perfection, this outfit quietly argues for the charm of slight imperfection, like a well-loved pair of jeans that tell their own story.
