Rihanna wore a layered hoodie and oversized charcoal coat with white Amina Muaddi Anok Pumps while leaving the Four Seasons Hotel in NYC 2026.
Spotted leaving the Four Seasons Hotel in New York City on January 16, 2026, Rihanna looked like she’d mastered that cold-night rhythm–streetwear clipped with polish. She layered a bold blue and black hoodie beneath an oversized charcoal coat that almost swallowed her frame, softening the night chill without losing her stance. The logos peeked through just enough to register, the sleeves slightly long, almost protective.
Black leggings tucked into white Amina Muaddi Anok Pumps felt like a wink: comfort up top, sleek formality below. The white heels cut through the look with deliberate contrast, lifting the dark palette. Her hair fell straight, loose, clean–less effort, more presence. Lighting in the hallway gave the fabric a quiet sheen, catching small movements as she walked.
This entrance is confidence spelled out in volume and tone, not sparkle. The scale of the coat, the flash of white shoe–it’s composure disguised as nonchalance. Rihanna keeps proving that being underdressed and overdressed can happen at the same time–and that’s the fun of it.
Style Dilemma: Does mixing high-fashion heels with everyday street layers signal peak individuality, or just the natural evolution of modern luxury?
Kimberly Garner wore a two-piece printed bikini while enjoying a day on the beach in St Barts on January 15, 2026.
On a bright January day in St Barts, Kimberly Garner was seen walking along the shore in a classic tie-string bikini with a lively print that mixed warm tan, coral, and white tones. The cut was minimal but neat–the halter top framed her shoulders easily, and the low-rise bottoms tied casually at the hips. Nothing flashy here, just the honest pairing of sun, fabric, and salt.
Her hair was loose, beach-soft, catching the light at the ends. No visible accessories, no makeup drama–just that straightforward island rhythm where wind and water do most of the styling. The look worked because it wasn’t trying: this was vacation pared back to its simplest formula.
Maude Apatow wore a silk and lace Alberta Ferretti dress with black heels at the Bvlgari Eternal Vimini Rooftop Party in Los Angeles 2026.
At the Bvlgari Eternal Vimini Rooftop Party in Los Angeles on January 15, 2026, Maude Apatow arrived in a look that felt hushed but confident–a silk slip by Alberta Ferretti , the color hovering somewhere between bronze and honey. The black lace bodice sat delicately over sheer tulle, cinched by a loose bow at the waist. It played at innocence without tipping into costume, modern in how simply it rested on her frame.
Her shoes, pointed and matte, grounded the fluid fabric. There wasn’t much else: small gold hoops, a thin bracelet, a faint sweep of pink polish. The setting itself looked quiet, limestone and plant light echoing that calm warmth around her. The palette worked–the champagne dress against marble, her skin tone catching a soft glow from above.
This is Ferretti doing restraint. Romantic, yes, but more midnight than morning. There’s polish to its simplicity–a kind of self-containment that suits her composure. In the noise of partywear, understatement can still feel radical.
Are we entering a new “soft clarity” era–where fashion’s boldest move is to whisper?
