Never one to play by the rules, Rihanna’s latest Los Angeles outing proves her maternity wardrobe (now on baby number three!) is less about dressing for comfort and more about dressing for creative defiance.
The thing about Rihanna’s style is that it always feels like a conversation. She takes two seemingly opposite ideas, throws them together, and somehow, the result is a full-fledged argument for a new way of seeing things. This recent paparazzi sighting in L.A. is a perfect case study.
On September 9, 2025, the Fenty mogul was seen in an ensemble that, on paper, should not work. She donned a pair of loose, black track pants with a clean white stripe running down the side—the universal uniform of an off-duty day. But then came the twist: a voluminous, tiered black tulle top. The fabric, ethereal and full of movement, layered over what appears to be a simple tank or tee. Where most would lean into stretch fabrics and oversized layers, the singer doubled down on volume and texture, making the outfit a deliberate, high-fashion statement that put her bump front and center.
The juxtaposition was pure genius. The track pants anchored the look with a grounded, casual vibe, while the delicate tulle elevated it to something entirely unexpected. Her accessories sealed the deal. She wore a stack of her signature gold jewelry, from necklaces to bangles, adding a layer of intentional polish. Peeking out from under the wide-leg hems were crisp white shoes—reportedly rare Puma sneakers—adding a sporty, crisp finish.
This look—this glorious collision of gym-ready gear and ballet-core fantasy—speaks to a larger cultural moment. Rihanna’s approach to celebrity style isn’t about choosing between comfort and glamour; it’s about making them coexist. It’s a testament to her unique ability to turn a simple outing, even a doctor’s appointment, into a veritable style moment. She takes the mundane and makes it magnificent.
For her Interview Magazine debut, Jade Thirlwall sheds her pop-star past to emerge as a high-fashion, unapologetic artist, all through Richie Shazam’s futuristic lens.
There is a moment in every pop star’s evolution—a visual pivot—when they stop being a product and start being a muse. For Jade Thirlwall, this moment is now, captured in stunning detail for the September 2025 issue of Interview . The publication, founded by Andy Warhol, has always been the “Crystal Ball of Pop,” and in this new series of celebrity photos , it perfectly crystallizes Thirlwall’s solo-era metamorphosis.
The images, lensed by multi-hyphenate artist Richie Shazam, are less a photoshoot and more a study in controlled chaos. Shazam’s signature style—a chaotic collision of glamour and raw reality—transforms Thirlwall into a living fantasy. In one standout look, she wears a full-body catsuit from Baserange , a second-skin garment that feels both delicate and defiant. The silhouette is sleek and unadorned, allowing the intricate play of light and shadow on the fabric to do the talking. The image is an exercise in minimalist provocation, with Thirlwall’s direct gaze meeting the camera with an unsettling calm.
Another frame showcases a jaw-dropping dress by Balenciaga , with its aggressive silhouette and high-fashion attitude—a stark contrast to her girl-group beginnings. Her styling in the spread is a masterclass in pushing boundaries, from an eyepatch by Atsuko Judo to an array of bold, structural jewelry by Patricia Von Musulin. She wears a patchwork denim jacket, slightly askew, in one shot, her hair styled in a wild cascade of Diana Ross curls, while her face is dotted with bright pink freckles. It’s a playful, surreal touch that reminds us she isn’t taking any of this too seriously, even as she redefines herself.
What the images so perfectly capture is the narrative of liberation that Thirlwall discusses in her interview with Michelle Visage. Having thrown out the rulebook, she’s now able to fully embrace her own identity and heritage, creating a visual language that is both a tribute to her past and a bold step into her future. The clothing is not just what she’s wearing; it’s a reflection of her journey.
So, is this the dawn of a new kind of superstar—one whose artistic identity is as rich and complex as their fashion choices?
An unblinking gaze, a whispered secret—the first look at The Housemaid, starring popular celebrities Sydney Sweeney and Amanda Seyfried, offers a delicious dose of psychological tension and quiet, domestic unease.
A Quiet Thriller of Domesticity
The atmosphere is one of polished disquiet, where the suburban dreamscape gives way to a simmering undercurrent of control. In one frame, Sydney Sweeney—her character’s name is unconfirmed—sits before a towering dollhouse, a perfect miniature world reflecting the one she inhabits. Her expression is a mix of defiance and weariness, her gaze unyielding as she faces the camera.
The visual storytelling is sharp. In the first image, Sweeney wears a simple, ribbed long-sleeve top in a soft gray. Its texture, a subtle play on light and shadow, mirrors the delicate yet complex power dynamics at play. The silhouette is casual, fitted but not restrictive, a costume of domesticity that seems to hide more than it reveals. She wears her hair in loose, natural waves, framing her face and emphasizing a vulnerability that feels both intentional and unsettling.
In another image, Amanda Seyfried, appearing as the mysterious owner of the house, hands Sweeney a key. Seyfried is out of focus, a deliberate choice that makes the golden key the central object of the shot—a symbolic transfer of authority. The moment suggests the transactional nature of their relationship and the claustrophobic world of secrets they share.
The third still is perhaps the most captivating. Sweeney, in a simple green tank top and denim jeans, cleans a marble vanity. She is reflected in the mirror, but the image is doubled. In the background, Amanda Seyfried’s character watches her, a ghostlike figure in the reflection, her face a mask of silent scrutiny. This is a masterclass in visual tension, the reflection-within-a-reflection creating a sense of being perpetually watched, and a reminder that every action is a performance in this house. The styling here is utilitarian—gloves, a duster—but the way Seyfried looms in the background transforms a mundane task into something charged with suspense.
With its calculated wardrobe and moody setting, the film’s celebrity fashion seems to be a character in itself—quietly telling a story of power, surveillance, and the hidden dangers that lurk behind closed doors.
