Rita Wilson wore a black studded jacket and mini skirt set at the Apple TV Press Day in California in February 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Rita Wilson arrived in a crisply structured black set. Black jacket, mini skirt. Compact, uniform, maybe even formal, but softened by something else. Charms on the chest and hip pockets—actually no, those weren’t charms. Embellishments, etched and clustered like decorative armor. Intricate beadwork cloaked in noir. You don’t need to squint to get it—it lands on you fast. A kind of business-serious cool, glinting slightly under soft LEDs.
Not quite flashy. Not quite casual. A middle ground that knows its footing. She paired the look with black suede knee-high boots , tall and strong without being stompy. Beneath, sheer black hose added another texture—lightweight but clear in effect. Hair worn down and loose, center-parted, brushed but not overstyled. Lips just the right side of warm.
It all read like a wardrobe solution, not a statement. A grounded pick for a press event appearance , where the room needs you dressed but not too loud. There’s something generational about the whole presentation—understated without clinging to youth trends, polished but not too polished either.
The look avoids trend-chasing but lands solidly within fashion’s current tension point: the return of structure without stiffness, ornament without glamour.
Olivia Munn wore a sculptural black blazer and cropped wide-leg trousers at the Apple TV Press Day in Santa Monica, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Olivia Munn stepped into the frame dressed in black from shoulder to heel—carefully composed but far from stiff. What she wore wasn’t just a suit. It was angular. Strategic. The blazer , unbuttoned and sharply cut, leaned into asymmetry without becoming conceptual. Lapels blended into structure. No shirt visible underneath—just clean black layers forming sharp lines and air gaps.
Cropped wide-leg trousers , solid and structured, hit just past the knee. A deliberate cutoff. Neither shorts nor culottes nor culottes pretending to be streetwear—just black fabric with a middle-step attitude. No tights. No bells. Just skin. The finish came with pointed stiletto pumps in a matching black, a familiar contrast to the roomy volume above.
Hair worn down, ultra-drapey and parted slightly off center. Waves lightly defined but relaxed. There’s clarity to the whole style—no shimmer, no fringe, no jewelry distraction. Just lines, shape, and confident silence.
This was monotone with motion: a study in form over flourish, using nothing to say plenty.
Bella Thorne wore a sheer ribbed red top and wide‑leg black trousers at the Grammy After Party in Los Angeles 2026.
Inside the softly lit Casa Velocity Black venue in West Hollywood, Bella Thorne cut a casual but charged figure—part understated, part performance. She wore a sheer ribbed red top , fitted close to the body and catching the light in thin horizontal gloss. The fabric was fine, deliberately simple, skimming over skin with quiet defiance. Paired with high‑waisted black trousers , the proportions felt confident and direct—long legs, short hem, no embellishment.
On her wrist, a tangle of silver cuffs. In hand, a small black handbag, compact enough to disappear against the dark of her trousers. Chunky platform heels anchored the look, adding weight to the lightness of the top. Her hair loose and wavy , makeup centered on a red lip —an echo of the fabric’s heat tone.
There’s a precision to this kind of event appearance : stripped down yet intentional. No gown, no statement jewelry, no over‑defined eye. Just a flash of color and control. It’s not rebellion—it’s rhythm, the kind that exists between effort and ease.
Style dilemma: Is this minimalism turned bold, or boldness reduced to its cleanest form?
