Robin Thede wore a fitted black shimmer-textured midi dress with peep-toe platforms to the New York screening of “Relationship Goals.”
At the New York screening of Relationship Goals on February 3, Robin Thede took the red carpet and didn’t waste time on pretense. She just looked confident—glowing in a way that said, “Yes, it’s fitted. And yes, it’s working.” The dress was a strong black midi, cut close to the body, but not aggressively so. The fabric? Not sequined, not glossy—more of a textured shimmer. Think reptile skin, if reptile skin knew how to catch hotel lighting without screaming under it.
It had a scooped neckline and tank-style straps. No sleeves, no embellishments. Just curve, glint, presence. A subtle side slit at the hem gave the silhouette breathing room. She wore it with black peep-toe ankle-strap heels —thick platform, open vamp, the kind that adds height without losing humor. Her hair was up, a soft messy bun with just enough volume to frame, not compete. Lipstick : candy apple red, unapologetically bold. No dusty rose here. Brows crisp. No over-highlighting. Just clean radiance.
She looked ready to toast something—or ruin somebody—with the same smile.
The dress didn’t try to say something new. She just made it say it clearly.
Kelli Berglund wore a sheer pink halter dress with a ruched front and pointed pumps to Clarins’ Sugar & Shine Galentine’s event in Los Angeles.
At Clarins’ Sugar & Shine Galentine’s Affair in LA on January 29, Kelli Berglund stepped up in a dress that didn’t overcomplicate anything. It was simple. Soft. Almost like silk candy stretched into a halter. The dress was a bright sorbet pink—sheer enough to catch light, but not so thin it lost shape.
Cut low at the neckline, the halter top curved in with string ties that gathered at a ruched seam running vertical down the center . Clean edges. No bustle. A curve-hugging look that still felt breezy. The skirt portion grazed the floor, draping with ease, but offered a brief flash of skin at the hip—midriff cut-out, just on one side, stitched into the waistline like a shrug.
Her hair was slicked back, off the shoulders, tied into a neat bun with a perfect-nothing shine. No fuss. The skin spoke. Jewelry stayed minimal—thin bracelets, delicate earrings, barely there. Footwear? Subtle nude pointed-toe pumps , just peeking out under the hem. Nothing to distract.
The whole thing floated somewhere between laid-back LA and early-2000s Britney—blunt, warm, collapsed elegance.
Jessica Williams wore a structured black utility dress with statement belt and pointed heels at Apple TV’s Press Day in Santa Monica.
At Apple TV’s Press Day in Santa Monica on February 3, Jessica Williams pulled a look that felt like fashion architecture with a sharp mood. The materials didn’t scream. The structure did. She wore a tailored black dress with tactical precision—textbook waistline, padded shoulders, and details that felt stitched into functionality.
The coat-style dress hit below the knees. A notch collar bent into a pared down V. Double-breasted buttons ran down the front, but they weren’t the main event. That was the belt —a wide black cinch with a metallic front plate and carabiner-style attachment clipped loosely at the edge. It said “yes, I know where I’m going.”
The look wasn’t soft. But it wasn’t aggressive either. More like focused . Her hair , brushed into clean, soft waves, framed her face without competing. Jewelry minimal but deliberate — a few stacked rings , no necklace, matching energy in the stainless shine of the belt. Shoes : black pointed pumps, lightly textured, slingback style with just the slightest glint in the patent.
It was less about dressing up—and more about dressing exactly enough.
