Rosalía appeared on The Tonight Show Starring Jimmy Fallon on November 16, 2025, wearing a voluminous satin ensemble with theatrical flair. The look fused performance fashion with surrealist glamour, amplifying her presence through texture, silhouette, and staging.
Rosalía’s November 16, 2025 performance on The Tonight Show Starring Jimmy Fallon was a visual crescendo of theatrical fashion and sonic mysticism. Seated on a bed draped in vibrant blue satin ruffles , framed by matching curtains, she wore a strapless, light-toned voluminous dress , white tights , and sparkly high heels . The entire composition — from the fabric’s sheen to the exaggerated silhouette — felt like a surrealist painting rendered in motion.
The look wasn’t just dramatic; it was architectural. The voluminous skirt created a sculptural base, while the satin backdrop extended the garment’s logic into the environment. This wasn’t a stage — it was a mise-en-scène. Rosalía’s styling blurred the line between costume and couture, performance and installation.
Her pose — seated, grounded, yet commanding — suggested a deliberate inversion of pop performance tropes. No choreography, no spectacle. Just presence. The white tights and glittering heels added a layer of vintage cabaret, but the overall effect was more avant-garde than nostalgic.
In the context of her evolving visual language — from flamenco futurism to reggaeton minimalism — this look marks a pivot toward surrealist intimacy . It’s not about scale; it’s about saturation. The blue satin doesn’t just frame her — it absorbs her, making the fashion part of the emotional register.
Anya Chalotra wore a gray blazer with a bandeau top and asymmetrical skirt at The Fashion Awards 2025.
Anya Chalotra’s appearance at The Fashion Awards 2025 in London was a study in contemporary tailoring and asymmetrical tension. She wore a gray oversized blazer over a black bandeau top , paired with a layered black asymmetrical skirt and pointed dark brown heels . The silhouette played with volume and exposure, balancing the sharpness of menswear with the fluidity of deconstruction.
The oversized blazer, with its dropped shoulders and elongated cut, introduced a note of authority — but the bandeau beneath disrupted that narrative, injecting a flash of skin and softness. The skirt, with its uneven hem and layered detailing, added movement and visual complexity, refusing to settle into symmetry.
Amelia Gray wore Looney Tunes-themed Palace streetwear on The Face Magazine Winter 2025 cover and editorial shoot.
Amelia Gray’s Winter 2025 editorial for The Face Magazine is a maximalist collision of cartoon nostalgia, streetwear irony, and surrealist posing. Across multiple setups — from squatting in white heels on a pastel floor to licking ice cream in layered plaid and Sylvester graphics — the styling never settles. It ricochets between Looney Tunes chaos and Palace-coded cool, with each look functioning less as an outfit and more as a visual punchline.
The garments, oversized and graphic-heavy, feature characters like Tweety and Sylvester, often paired with unexpected accessories: jester hats, leopard heels, varsity jackets, and even a cartoon bomb as a seat. The color palette swings from soft pinks and blues to saturated blacks and yellows, always anchored by the irreverent energy of the Looney Tunes prints.
