Rose Byrne wore a black cropped zip-up shirt and wide-leg trousers at the BAFTA Tea Party at Four Seasons Hotel Los Angeles in January 2026.
Rose Byrne at the BAFTA Tea Party, Four Seasons Hotel Los Angeles, January 10, 2026. She stands against a purple wall, one hand in her pocket, the other relaxed, not a hint of nerves. The look is sharp– black cropped shirt , short sleeves, subtle pinstripes, a zipper down the front. The hem hits just above the waist, showing a sliver of skin. The pants are wide, high-waisted, pooling at the ankles, almost swallowing her shoes. No belt, no wild accessories, just a single ring and small earrings.
Her hair is straight, parted to the side, cut to the chin–sleek, no fuss. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. The whole thing feels easy, a little androgynous, a little bit “model off-duty.” No drama, no sparkle, just clean lines and a sense of comfort.
Jennifer Lopez wore a Jean-Louis Scherrer vintage gown with a sheer mermaid silhouette at the 83rd Golden Globe Awards in Beverly Hills, 2026.
Jennifer Lopez at the 83rd Golden Globe Awards, Beverly Hills, January 11, 2026. She stands on the red carpet, one hand on her hip, the other holding a sparkling clutch, gaze direct, not a hint of nerves. The dress is Jean-Louis Scherrer Vintage Gown –sheer, nude mesh, covered in swirling brown lace appliqué, with a high neck and long sleeves. The bodice is fitted, the lace pattern winding over her skin like vines, the skirt flaring out into a cloud of cream silk tulle at the knees. The whole thing is a study in tension–bare but baroque, soft but sculpted.
Her hair is swept up, a single tendril loose at the cheek. Earrings dangle, catching the light, but nothing shouts. Makeup is simple–smoky eyes, nude lips, skin glowing. The clutch is small, covered in stones, just enough to catch a flash. No necklace, no wild accessories, just the dress and the attitude.
This is a look that leans into the “naked” trend, but never feels like a stunt. The Jean-Louis Scherrer gown is all about craftsmanship–hundreds of yards of tulle, hand-appliquéd lace, stones sewn in by hand. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the body do the talking.
She could be anywhere–a gala, a ballroom, or just lost in the crowd. Tonight, she’s here, and the lace does all the work. No need for extra drama, just a little shimmer and a lot of confidence.
Zoey Deutch wore a white pleated gown with black beaded fringe at the 83rd annual Golden Globe Awards at the Beverly Hilton in Beverly Hills.
Zoey Deutch at the 83rd annual Golden Globe Awards, Beverly Hilton, Beverly Hills, January 11, 2026. She stands on the red carpet, hands folded, gaze steady, not a hint of nerves. The dress is a study in contrast–white, pleated, floor-length, with a deep V neckline and a small keyhole cutout at the waist. The bodice is simple, but the waist is cinched with a thick black beaded band, dripping with fringe that falls over the skirt like a curtain of midnight. The skirt pools behind her, soft and weightless, moving with every step.
Her hair is parted in the middle, styled in soft waves, tucked behind one ear. Makeup is minimal–just a little glow, a little gloss, nothing heavy. Dangling earrings, a slim bracelet, no necklace, no fuss. The whole look is clean, but not cold. The black beading adds just enough edge to keep it from feeling too sweet.
This is a look that leans into old Hollywood, but never feels like a costume. The gown is all about movement and light, but Zoey’s styling keeps it modern–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the details do the talking.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the fringe does all the work. No need for extra drama, just a little contrast and a lot of presence.
