Rose Byrne appears in W Magazine’s Best Performances Issue for January 2026, photographed by Tyrone Lebon in a black leather outfit with a striking white bow.
January 2026. A plain wall, a chair with a folder resting on it. Rose Byrne standing against the backdrop, outfit sharp, posture steady.
Her look: black leather jacket, matching skirt, fabric stiff, sheen muted. A large white bow tied at the neck, oversized, almost theatrical, but softened by loose waves in her hair. Red lipstick sharp, cutting through the monochrome. Shoes unseen, but presence grounded.
Adria Arjona appears in W Magazine’s Best Performances Issue for January 2026, photographed across several frames that highlight her understated presence and textured styling.
January 2026. Different angles, different moods. Arjona caught in fragments — bending, standing, moving. Each frame stitched together, not polished, not staged to perfection.
Her look shifts. Black dress in one, suitcase in hand in another. A striped shirt paired with a puppet, surreal and almost humorous. Then a sleeveless textured top, necklace catching faint light. Each moment feels disconnected, yet together they form a rhythm.
Sophie Turner wore a black Self-Portrait Wool-Blend Twill Midi Dress with pointed pumps at the SiriusXM studios in New York City on Wednesday.
Sophie Turner stood against the relentless blue-and-white branding of the SiriusXM backdrop on Wednesday, looking less like a media guest and more like the world’s most glamorous HR director about to deny your vacation request. The actress wore the Self-Portrait Wool-Blend Twill Midi Dress , a deceptive garment that mimics the architecture of a skirt suit—sharp shoulders, nipped waist, serious buttons—without the administrative hassle of two separate pieces. It is severe, bordering on ascetic, until you notice the sheer-adjacent panel at the hem which adds a weird, necessary ghost of texture to the black block.
