Rosie Huntington-Whiteley wore a Saint Laurent gold bomber jacket at the Formula 1 Qatar Grand Prix in 2025.
Rosie Huntington-Whiteley appeared at the Formula 1 Qatar Grand Prix 2025 in Doha , wearing a look that balanced luxury precision with sport-luxe energy .
Her outfit centered on the Saint Laurent Bomber Jacket in Shiny Nylon in Kaki Soleil , a metallic piece that caught the light with engineered brilliance. Paired with a white top and black tailored trousers, the silhouette was streamlined yet commanding.
Accessories provided the defining edge: the Tiffany & Co. Hardwear Extra Large Link Earrings in Yellow Gold and the Bold Graduated Link Necklace framed her face with sculptural clarity, while the Multi Gusset Clutch by The Row added architectural restraint. Her blonde waves softened the metallic dominance, and the green lanyard badge underscored her VIP presence.
This was not a look chasing spectacle — it was a refined exercise in brand synergy , where Saint Laurent’s industrial sheen met Tiffany’s sculptural gold and The Row’s minimalist rigor. Rosie’s styling aligned seamlessly with the Formula 1 ethos: velocity, precision, and spectacle.
Jessica Alba wore a black zippered jacket with large hoop earrings at the Formula 1 Qatar Grand Prix in 2025.
Jessica Alba attended the Formula 1 Grand Prix of Qatar in Lusail City on November 30, 2025 , opting for a look that balanced understated edge with media-event polish .
Her outfit centered on a black zippered jacket , structured yet casual, with a high collar and clean lines that suggested utilitarian intent. The garment’s matte finish and minimal detailing allowed her accessories to take visual precedence: large hoop earrings framed her face with bold simplicity, anchoring the look in a classic celebrity vernacular.
Alba’s long, wavy brown hair softened the jacket’s angularity, while her seated posture and composed expression suggested a calm command of the space — neither performative nor passive. The setting, a well-lit indoor venue with visible branding and media presence, reinforced the outfit’s function: a controlled blend of visibility and restraint , ideal for a high-profile public appearance without veering into spectacle.
This was not a fashion-forward risk, nor a red carpet statement — it was a strategic calibration of presence , where the styling served the moment rather than dominating it.
Ariana Greenblatt wore multiple editorial outfits including Prada during the CAP 74024 fashion photoshoot in November 2025.
In November 2025, Ariana Greenblatt appeared in a multi-look fashion photoshoot for CAP 74024 , styled across a series of editorial compositions that explore texture, silhouette, and persona. Shot by Branislav Simoncik , the spread includes a confirmed Prada look and several avant-garde ensembles staged in minimalist studio environments.
LOOK 1 – Curbside Prada
Greenblatt sits on a curb in a plaid blazer , white shirt , black tights , and black high heels —a composition that channels urban melancholy with couture precision. The black-and-white treatment amplifies the introspective mood, while the visible text “SECOND SKIN” and “LOOK AT ME” suggest a layered commentary on identity and visibility. The Prada credit confirms the brand’s role in shaping the editorial’s intellectual edge.
LOOK 2 – Studio Noir
Standing beside a tubular metal chair, Greenblatt wears a black ruffled top , fur-trimmed pants , and platform boots , paired with oversized sunglasses . The contrast between the sleek furniture and textured clothing creates a tension between utility and excess. The taped seams on the floor break the illusion of polish, revealing the scaffolding behind the spectacle.
LOOK 3 – Industrial Sheer
In front of a bare clothing rack, Greenblatt wears a sheer white sleeveless top and loose black leather pants . The pose—arms behind the back, body leaning forward—suggests vulnerability within defiance. The stark lighting and absence of garments on the rack evoke a post-consumer aesthetic, where fashion is stripped to gesture and form.
LOOK 4 – Rug Recline
Seated on a beige rug, Greenblatt wears a shiny brown hooded coat with a black collar , sheer tights , and pointed heels . The pose is casual, almost domestic, yet the textures suggest alien elegance. The rug’s irregular shape and the coat’s reflective surface create a dialogue between softness and sheen.
