Rylee Stumpf trades the runway for the subway—leaning into a polka-dot two-piece that’s equal parts retro pin-up and downtown defiance. Is this the new face of celebrity street style—or just New York’s hottest waiting game?
There’s something deliciously subversive about Rylee Stumpf’s latest photoshoot with Juan Garcia. While most stars reserve their boldest looks for the red carpet , Stumpf—ever the rule-breaker—turns a grimy subway platform into her personal catwalk. The result? A masterclass in how to make public transit look like a Vogue spread.
Stumpf’s ensemble is a study in playful contrast: a polka-dot bralette and high-waisted briefs, both rendered in a classic black-and-white palette. The fabric clings just enough to hint at structure, yet the dots lend a whimsical, almost cartoonish edge. It’s a silhouette that nods to ‘60s mod—think Twiggy meets downtown NYC—but with a modern, streetwise twist.
Addison Rae swaps the spotlight for a shadowy backstage moment—where a rumpled robe and a button-down dress become the unexpected stars of her tour diary. Is this the raw, unfiltered side of celebrity fashion we’ve been waiting for?
Ellen von Unwerth has always had a knack for capturing the unguarded, the intimate, the almost off-limits. And in her latest collaboration with Addison Rae, she does it again—this time, framing the pop sensation in a state of backstage undress that feels more like a stolen secret than a staged shoot.
The first image is a masterclass in contrast: Addison, swathed in a plush, oversized robe—its muted taupe fabric draped like a shield against the chaos of tour life. The robe’s texture is rich, almost tactile, its shaggy pile suggesting warmth and comfort. But it’s the second frame that stuns. She stands in a simple, short-sleeved button-down dress, its olive-green hue and utilitarian cut evoking a ‘70s workwear vibe . The dress, cinched at the waist with a self-belt, skims her frame with an effortless ease, its slightly rumpled state hinting at a night already lived in.
For more unfiltered glimpses into the lives of your favorite stars, explore our celebrity photos gallery.
Amanda Seyfried just redefined off-duty elegance—proving that denim and a travel bag can feel as intentional as a red carpet gown, especially when you’re waving goodbye to Venice’s golden light.
Amanda Seyfried’s departure from the Hotel Excelsior during the 82nd Venice International Film Festival was a masterclass in casual sophistication. The actress embraced a relaxed yet polished aesthetic, anchoring her look in Dr.Denim’s Baggy Stream Dark Jeans —a silhouette that balanced slouchy comfort with a tailored edge. The deep indigo wash and slightly cropped hem played off the effortless vibe of her gray long-sleeve tee , a wardrobe staple elevated by its oversized fit and soft drape.
On her feet, Cariuma’s Oca Low Sneakers in crisp white grounded the ensemble, their minimalist design a subtle nod to the clean lines of modern streetwear. The real statement, however, came from her Givenchy Lucrezia Travel Bag —a sleek, structured tote that injected a dose of luxury into the laid-back formula. Its black leather and gold hardware offered a striking contrast to the denim, while the Khaite x Oliver Peoples 1983C Sunglasses added an air of mystery with their retro-futuristic cat-eye shape.
