Sabrina Carpenter wore a Babaton wool cashmere coat and Guest in Residence sweater while leaving Bar Pitti in New York City during Winter 2025.
Leaving Bar Pitti in New York City on December 16, 2025, Sabrina Carpenter embraced a masterclass in seasonal layering. The ensemble is anchored by the Babaton the Only Coat in black soft wool cashmere, featuring a relaxed, oversized silhouette with notched lapels. Beneath the heavy outerwear, she opted for a Guest in Residence Cropped Cable Turtleneck Sweater in cream, which provides a textural contrast to the smooth finish of the coat. The lower half of the look consists of light-wash denim trousers with a wide-leg cut that breaks over dark, pointed-toe footwear. Her accessories are equally intentional, centered around the iconic Balenciaga Le City First Bag in black leather and dark gloves.
Jennifer Lawrence, Amanda Seyfried, Renate Reinsve, and Jessie Buckley star in THR’s December 2025 roundtable editorial.
The Hollywood Reporter’s December 2025 roundtable gathers four of the season’s most compelling actresses—Jennifer Lawrence, Amanda Seyfried, Renate Reinsve, Cynthia Erivo and Jessie Buckley—for a multi-look editorial that blends cinematic introspection with fashion-forward styling. Each portrait captures a distinct emotional register, mirroring the complexity of the roles these women have embodied throughout the year.
Jennifer Lawrence appears in a sleek black sleeveless dress with a deep neckline and gathered waist, standing beside a reflective glass wall that doubles her image. The styling is minimalist, but the mirrored composition amplifies the psychological depth—an apt metaphor for her performance in Die My Love , where postpartum grief and maternal identity collide. Her quote, “I’ve always been strict about, ‘I don’t want to talk about my kids.’ But it’s impossible not to,” anchors the editorial in raw vulnerability.
Amanda Seyfried’s shimmering pink jumpsuit, styled by Elizabeth Stewart, offers a visual counterpoint—bold, bright, and unapologetically feminine. Standing against a mirrored wall, she reflects both literal and metaphorical duality. Her discomfort with choreography in The Testament of Ann Lee becomes part of the narrative: “My discomfort is internal, because no one’s got time for that on set,” she admits, revealing how performance often masks personal unease.
Renate Reinsve, dressed in a white blazer with circular cutouts and black pants, delivers quiet strength. Her quote—“I finally feel like I’m on the right path, but it’s taken a long time”—speaks to the emotional labor behind her role in Sentimental Value . The styling, by Karla Welch, reinforces her journey: structured yet open, modern yet introspective.
Jessie Buckley, seated in a black ensemble against a reflective wall, embodies the editorial’s thesis: complexity without projection. Her statement, “I never want to project any idea of what the women I play are meant to be,” encapsulates the roundtable’s ethos—performance as exploration, not definition.
The accompanying interview threads these portraits together with candid reflections on motherhood, grief, artistic discomfort, and stolen first-paycheck purchases. Lawrence recalls smashing shampoo bottles in a bathroom scene, Seyfried jokes about stolen Louis Vuitton, and Erivo confesses to buying her first Chanel bag in cash. The tone is intimate, irreverent, and deeply human—an ensemble of women who refuse to flatten themselves for the sake of press cycles.
Jessie Murph wore a red oversized jersey and distressed denim for her 2025 performance in Perth, blending athletic silhouettes with a gritty edge.
Jessie Murph opted for a monochromatic, vintage-inspired ensemble for her performance in Perth on November 12, 2025. The core of the look features a strapless, knee-length garment characterized by a sophisticated interplay of textures: a central panel of intricate black floral lace layered over a lighter backing, flanked by solid dark side panels that emphasize the silhouette. She completed the aesthetic with a small black pillbox-style hat featuring a delicate birdcage veil, dark high-heeled pumps with a rounded toe, and vibrant red nail polish that provided the sole pop of color against the moody stage lighting.
