Sabrina Carpenter wore classic blonde curls, winged eyeliner, and soft peach glam for her 2026 Redken beauty campaign, channeling vintage Hollywood energy.
In this close, warmly lit portrait, Sabrina Carpenter becomes a time capsule of old‑school cool. Her platinum blonde hair , styled in big retro curls , frames her face like mid‑century movie lighting. The soft fringe , slightly uneven and intentionally carefree, gives the image that tactile realism modern glam sometimes forgets. Shimmery lids, sharp winged liner , and nude peach lips build the beauty look —familiar codes of silver‑screen femininity but filtered through today’s precision. Against the faded beige tones of her setting and the casual robe draped around her shoulders, the styling feels almost cinematic but also domestic, as if glamour was caught mid‑morning.
Olivia Wilde and Chase Sui Wonders posed alongside their team for a laid‑back Deadline Studio portrait session during the Sundance Film Festival in January 2026.
In a cool wash of blue, Olivia Wilde and Chase Sui Wonders lean into the casual rhythm of a Sundance group portrait for Christina House’s Los Angeles Times Studio , January 2026. The styling falls somewhere between road‑trip realness and editorial restraint: leather jackets , blue layers , soft denim , and the unmistakable energy of tired creatives mid‑festival. No exaggerated poses, just warm body language—a shared ease that feels earned rather than arranged.
Wilde’s leather‑and‑shearling jacket toughens up her pale blue shirt, a smart mix of structure and softness. Wonders , lower in frame, wears a black leather jacket over a bright blue zip‑up , the pop of color cutting through the otherwise subdued palette. Around them, castmates balance the frame: knit sweaters, turtlenecks, worn adventure boots—clothes chosen for comfort and continuity more than statement. It’s the truest form of photoshoot honesty, when fashion bends to mood instead of demanding attention.
Cristin Milioti wore a black leather jacket and dark shirt during a Deadline Studio photoshoot at the Sundance Film Festival in January 2026.
In the muted light of a studio backdrop, Cristin Milioti sits in a quiet kind of focus. She’s wearing a black leather jacket , softened with wear, paired with a matching black top —nothing flashy, just lived texture and ease. Her dark, wavy hair falls loosely, a small rebellion against the jacket’s structure.
