In a triptych of cinematic looks, Sabrina Carpenter channels retro erotica, roadside surrealism, and prairie melancholy—her latest “Tears” shoot is a masterclass in emotional styling.
There’s a peculiar kind of power in fashion that doesn’t just dress a body—it narrates a psyche. Sabrina Carpenter’s August 2025 “Tears” shoot reads like a fever dream stitched from three distinct moods: Americana nostalgia, Lynchian discomfort, and high-fashion provocation.
Amelia Gray becomes a dark romance muse for Ludovic de Saint Sernin’s Fall 2025 collection, blending raw sensuality with a high-fashion, almost menacingly beautiful attitude.
In the latest campaign for Ludovic de Saint Sernin, Amelia Gray proves she is not just a model, but a fashion force capable of embodying a complex narrative. The collection, which is part of the brand’s Fall 2025 showing, explores themes of dominance, softness, and raw power. Gray’s portrayal is a striking departure from typical campaign visuals, opting for an unpolished, raw atmosphere that makes the high-concept pieces feel more like a glimpse into a private world than a posed shoot. It’s a bold choice that speaks to the modern consumer’s desire for authenticity, even in the realm of high-end fantasy.
In the other look, the silhouette is long and lean. Gray is seen in a halter-neck dress in a subtly textured, almost iridescent white material. The dress has a deep plunge at the neckline, revealing a black, structured bra underneath, a signature of the brand’s aesthetic. The dress features a high slit on the side, adding an element of vulnerability to the look. It’s a dress that seems to flow, and its lightness creates a powerful visual contrast to the heavy fur.
Under canal-lit nightfall, Sofia Carson leans into high-glam drama—a lacquered-black, sequin mosaic that reads modern armor—quietly confident, exquisitely polished, and unmistakably her.
There’s a cinematic hush to this frame: black water, gold reflections, and Carson holding center with that subtle, knowing tilt of the chin. No fuss, all control.
The dress catches light like city windows after dark—linear beadwork set against a black base, interrupted by silver, mosaic-like panels. Every micro-movement throws a new constellation.
Long sleeves, high neckline, and a neatly defined waist create a clean, columnar silhouette that flatters without shouting. The fabric is a dense field of glossy sequins and vertical beading; the contrasting silver motifs add an almost Art Deco geometry. Designer attribution is unconfirmed at press time, but the construction reads couture-level precision: weighty, disciplined, perfectly tailored to keep the sparkle sharp rather than splashy.
She keeps it strategic—no visible bag, no earrings fighting the dress—just a single statement ring that nods to the gown’s metallic cadence. Minimalism, deployed like a pro.
Sleek, center-parted hair falls straight and mirror-smooth, echoing the gown’s vertical lines. Makeup stays luminous—soft rose lip, refined liner, a glazed cheek—so the face reads fresh under low light. Nothing competes; everything supports the graphic shine of the dress.
If this is Carson’s late-summer thesis, it’s clear: let the cut do the talking and the sequins handle the press. Ready for more calibrated sparkle? Browse our edit of modern celebrity style .
